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‘Empire’ Review – “Cupid Kills”

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Empire cupid kills

Empire
Season 3, Episode 4
Original Air Date: October 12, 2016
Grade: B

There’s a joyfulness with not having to witness Lucious Lyon and his s-curl too much this episode. That automatically makes “Cupid Kills” the best episode of the season so far. But no, seriously, “Cupid Kills” succeeds where other episodes have failed because it focuses less on the star power of special guests, over-the-top antics and instead, plays to the strengths of Cookie, Jamal and Andre.

For Cookie, she’s realizing how much of a fish-out-of-water Lucious and her prison sentence has made her, removing her chances of being exposed to something besides orange jumpsuits and a life trying to fight for the company she basically created. The arrival of Angelo serves less as a foil for Lucious and more of a chance for Cookie to commandeer her own ship and figure out what’s the next step for her with Empire. Her individuality and creativity allow her to do things such as using the opera, “La Boheme” she witnessed in collaboration with an empowerment and kiss-off anthem to her own son for Tiana. It’s probably a good indicator that Cookie may be blossoming into more power and exposing herself to all of the things she’s missed in the last decades.

Jamal continues to be Mr. “Do Right” in all the wrong ways. Realizing that his reunion with Freda Gatz was probably way too premature, he returns with his therapist (is this relationship leading somewhere or is this man just one of those random disposables?) in an attempt to understand and help Gatz. Her face is literally ruined and Freda certainly doesn’t seem in a space to accept or believe much other than her guilt. She states how Jamal seems to have a lot of fans in prison, which was a red flag there. I certainly don’t believe anybody in prison would spend time fighting so that “The Black & White Album” could stay on the shelves. But of course, Jamal is the good samaritan of Empire and fights to get Freda out on bail, lying and saying she went through a fugue state and suffers from various psychological issues. It works and Jamal is perfectly fine until he realizes this was all a ploy for Freda to be released and Lucious to not only make her incapable of testifying against him, but throw it back in Jamal’s face how much of a Lyon he in fact is. I’m so sick of seeing them speak because Lucious always leaves laughing and Jamal stands there with a scowl on his face. By the next episode, they’re laughing without an ounce of awareness as to the bull that went on in the previous episode. Their relationship is Tom & Jerry, cartoons who simply have no type of development.

Empire Cupid Kills

One relationship that may be heating up is Andre and Nessa. From the moment Shine places a bidding war on his new artist, Andre takes just as much interest in Nessa as a person as he does in her as an artist. Of course, Andre is still grappling with the death of his un-buried wife, that police brutality issue and just being a Lyon, but you know none of that really matters. Shine seems to be delighting in embarrassing the entire Empire brand, clearly forgetting how that has worked out for past enemies and Andre, with all of the fury and rage, fights him with his father. Somehow, Shine stops playing around and signs the contract, allowing Nessa $2.5 million dollars to sign with Empire. To celebrate, her and Andre make love in his office with Rhonda as a ghost. A threesome with a ghost. Didn’t Anna Nicole Smith allude to having one of those one time? It’s absolutely plausible.

Everything else was a hodge podge of flashbacks to Cookie and Lucious, where we found that Loretha Hardaway got her famous nickname, “Cookie,” from Lucious Lyon. I’d throw that nickname in that trash after finding out its origins, btw. We also realized that Lucious has always been an awful person, assaulting her loyal and all around nice guy, Barry. It’s hard not to feel sorry for Barry or anyone who gets in the way of Lucious and what he wants but judging from Angelo, I think he may be in for something he didn’t expect. While Angelo is definitely very professional and polished, something about him is sinister and may prove to be closer to Lucious than we think.

The next episode gears up for Shine to retaliate against Andre and Lucious and hopefully, a funeral for Rhonda, so her ghost can stop humping Andre’s back. Ha. Yeah right. Nobody on this show does anything the way it’s actually supposed to be done. Carry on!

NYCC 2016: Freeform’s ‘Beyond’ Promises Supernatural Drama

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BEYOND - "Pilot" - A young man wakes up from a coma after 12 years and discovers new supernatural abilities that propel him into the middle of a dangerous conspiracy. (Freeform/Katie Yu) BURKELY DUFFIELD

Freeform’s upcoming new supernatural show Beyond hit New York Comic Con this year with producers Tim Kring (Heroes, Heroes Reborn) and David Eick (Battlestar Galactica), show creator Adam Nussdorf, and star Burkely Duffield (House of Anubis).

Duffield plays Holden, a young man who wakes up from a 12 year coma to find that the world has changed but also that he now possess supernatural abilities that he can’t control. He doesn’t quite know what is going on or who to trust but sinister forces appear to be after him.

The Workprint caught up with Duffield and Nussdorf at NYCC to talk about their show and what fans can look forward to in this new supernatural drama.

Watch our full interviews:

“Beyond” is a one-hour drama about Holden, a young man who wakes up from a coma after 12 years and discovers new abilities that propel him into the middle of a dangerous conspiracy. Now Holden must try and figure out what happened to him during those 12 years; how to survive a world that changed while he was gone; and answer the question, why did this happen to him?

“Beyond” stars Burkely Duffield (“House of Anubis”) as Holden Matthews, Romy Rosemont (“Glee”) as Diane Matthews, Michael McGrady (“American Crime Story: The People vs. O.J. Simpson”) as Tom Matthews, Jonathan Whitesell (“Once Upon a Time”) as Luke Matthews, Dilan Gwyn (“Da Vinci’s Demons”) as Willa and Jeff Pierre (“Shameless”) as Jeff McArdle.

From Imperative Entertainment and Automatik, “Beyond” is created, written and executive produced by Adam Nussdorf. Tim Kring, David Eick, Steven Adelson, Zak Kadison, Justin Levy and Brian Kavanaugh-Jones will serve as executive producers.

 

Beyond premieres on Freeform in 2017.

‘South Park’ Review: Wieners Out

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South Park Wieners out

South Park’s latest episode, Wieners Out, delivers the best episode of the season to date and does not disappoint following a one-week hiatus. For three episodes, the gang has been building the plot up and we, the viewers, finally get a glimpse of what is to come. Even though the presidential campaigns are in full swing, South Park steers clear of this topic this week. It’s a wise choice by the writers as the presidential race has been covered extensively across the internet. It’s been satirized to the point where almost nothing original really comes out of it anymore.

Wieners Out focuses on the boys of South Park. They are fed up with being ridiculed for being boys. Butters leads our group after getting dumped by his Canadian girlfriend, Charlotte. He feels that girls are taking it too far and is in disbelief that even Charlotte has sided with them. It is a WAR against all the boys and it does not matter even if you are gay – looking at you Tweek and Craig.

South Park Wieners Out

At the local girls’ volleyball game, Butters stages a protest during the national anthem. He stands up, fist held high, and drops his pants low all to the glorious tune of our national anthem. *tear* GOD BLESS AMERICA!

One could argue that this gesture has gone too far and that the boys are out of line, but here in lies the dilemma. Our culture is so used to protesting, and with countless social justice warriors, many don’t know what to support.

As PC Principal so eloquently puts it, “It’s a PC pretzel.” He cannot say that they are not allowed to protest because protesting the national anthem is allowed in any way shape or form. If he does say something about the fact that they have their #wienersout, it would be body shaming. Society has been so brainwashed that they no longer have the ability to rationalize and perceive right from wrong. It is better to just stand as a third party and support all sides.

Kyle is completely against this movement and tries to enlist Cartman to help him take Butters down. However, Cartman is a changed man after seeing a vagina. Even though it was only from six feet away and she only flashed it for a second, but in that split second Cartman realized that we can colonize Mars. He saw the potential of humankind. Humanity could terraform other planets and expand into the infinite.

This juxtaposition is used to great effect. On one side, we have Butters downplaying women saying they are horrible and that they are ridiculing the boys. On the other, we see Cartman being changed for the better by women. Kyle, being unable to get Cartman to help him take down Butters, finally decides to join the #wienersout movement.  

South Park Wieners Out

The Skankhunt plot also sees development this week as Gerald meets with the writer of the mysterious note from the previous episode. The writer, Dildo Swaggins, wants Gerald to join his group of trolls, warning that something huge is coming. Gerald continues to refuse to admit that he is a troll. Eventually, Gerald comes around after receiving an unwanted golden shower from Sheila.

Gerald finally partially accepts that he is a troll and watches a video that Dildo shows him. The video reveals that the Danish are going to expose the troll network via trolltrace.com. The troll society is in danger and Skankhunt now joins the circle of trolls. What will become of this old race of trolls?

‘Steven Universe’ NYCC 2016: Interview with AJ Michalka and Tom Scharpling

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The Workprint met up with Steven Universe’s Tom Scharpling (Greg Universe) and AJ Michalka (Stevonnie) at NYCC 2016 to discuss the Steven Universe fandom, fusing, and the relationship between Greg and Steven. (You can check out our interview with the voice actors of Peridot and Ruby here)

Question: What has it been like to see the fandom grow and interact with them at events like this?

AJ Michalka: It’s pretty amazing. I mean I haven’t been a part of it for very long but just what I’ve seen I’m kind of blown away. Most of what I had seen was online. The attention it gets on Tumblr is insane. I’ve never seen anything like it. And then being here at my first con, just to see how people reacted when we were all at the panel, it was a total gift. I just can’t believe that I even lend my voice to something that is this powerful for our generation. I think so many people of all ages and all backgrounds can watch this show and truly feel like they belong and that’s the coolest thing this show is doing. I’m just honored to be a part of it and I love that I can play such an original role. Just to speak for two different characters. It’s really cool.

Question: When playing Stevonnie do you approach it as a character of its own or do you take a part of both Connie and Steven?

Michalka: It was a really natural way that we kind of found Stevonnie. I think when I first read for it Rebecca liked that it was its own character but that I really studied what Steven and Connie do. The joining of both is really hard to explain. It just kind of fit into a pocket that worked for my voice. It’s not that far from how I sound in real life. Being able to take just the little mannerisms of how Steven talks, and he’s gotten a lot older so his voice has obviously changed but the mannerisms between him and Connie and making it my own without copying their two characters. You want to definitely take from them cause the fusion is so important. The whole point is that these two kids are fusing together to become this incredible force. It’s a little bit of both, it’s a hard one to answer. It just became a really natural thing for me to find. It’s such a cool character. I live in LA so I’m lucky enough to where I can be in the big circle with all the other actors as we are all performing together, so to have Connie and Steven with me is really nice because I’m able to bounce off them and I’ll usually stand in the middle of them and then from there we’ll work together. So I’ll feel the energy pulling from both of them as actors and really that’s how it grounds my work. 

Steven Universe

Question: What do you think of the aspect fusion and what it represents?

Michalka: I almost think it’s like this spiritual awakening that the two kids have. I look at it like it’s pure love. It’s all innocent.There is something so powerful in that episode where they first fuse and they’re looking at their body. They are looking at their hands. They are looking at their feet. They are going “What have we become.” I think it’s pure love. It’s honest love that is so genuine and so specific. I mean, I almost look at it like it’s a spiritual thing, like they just combine into one person. It’s almost angelic.

Question: If you could fuse with anyone who would it be?

Michalka: Hmmm, that is so tough. Probably Bono. Yeah, I’d fuse with him for sure.

Tom Scharpling: I would fuse with The Edge.

Michalka: And they would fuse together and it would be like multiples.

Scharpling: It would be  U2-Steven Universe2

Question: Do you know where the idea of Greg came from?

Scharpling: Well in a show you need somebody to be the control and the one who the audience can see themselves through because everyone can relate to Greg. I think everyone feels normal, or like you don’t have anything special going on. You can’t understand powers unless you have somebody who doesn’t have powers in the world so by relation you can see how magical they really are.

Steven Universe

Question: Can you talk about Greg and Steven’s unconventional parent/child relationship?

Scharpling: I think Greg is some version of a parent who realizes that their kid is different than they were and they have to grow and be there and love their kid even if they don’t understand it from their own experiences they have to learn how to understand their kid or their kid’s not going to be a part of their world or vice versa. I think he does a good job of it but there is definitely a challenge there. He is like the previous generation of the whole show, he has one foot in the past. I don’t think he is ever negative about the stuff. He is honestly just trying to figure it out. It’s probably a pretty good parallel for a lot of parents who are facing situations that they didn’t necessarily think would be what it would be like to be a parent but if you’re going to share your life with your kid you better figure it out and love your kid the whole time.

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Question: How do you feel about the evolution of Greg and Steven’s relationship?

Scharpling: I think it’s awesome how Greg is trying to figure all of this stuff out because he’s a non-magical guy in a world where almost everybody else is magical around him. But at the core of that the relationship he has with his son is immovable and everything he feels for his kid is always there and that’s never up for questioning. But his relationship with all the other gems and everything in that world is what he’s trying to figure out. There is one-half of his son that he can’t understand or relate to from his own experience so he has to learn how to navigate through that world and learn who his son is while his son is trying to figure it out for himself. So that part has always kept it interesting and keeps the stuff with Greg feel like we never do the same thing twice.

Steven Universe is set to resume airing the rest of season four in November.

Supergirl Teams Up With Superman in Season Two Premiere: “The Adventures of Supergirl”

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This week on the premiere of Supergirl: Superman makes his first appearance, the DEO changes location, Alex is adorable.

Spoilers through Supergirl season 2, episode 1: “The Adventures of Supergirl.”

I have loved Supergirl from the very first moment. More than Arrow, more than The Flash, Supergirl gives me the one thing I desperately want most in a superhero TV show: hope. Which is why I’m so glad the show dodged the Cancellation Bear and made its way from CBS to the CW. With the move, Supergirl gained a larger budget, which is aptly apparent in the season two premiere, “The Adventures of Supergirl.” Not only does Tyler Hoechlin join the cast as Superman, but all of the actions sequences have been turned up a notch, drawing comparisons to how The Flash handles much of its chase sequences.

And yet, there’s still something inside of Supergirl that remains wholly her own. Starting out on the CBS, while garnering low ratings, was actually a blessing in disguise for the new series. Without the Arrowverse and its dark stories to drag her down, Supergirl grew into her own hero who relied only on her own abilities and those she loves. And as excited as I am for the major Arrowverse crossover event, I’m more excited to see Supergirl continue navigating her world in her happy-go-lucky fashion.

Superman Joins The Team

I’ll be 100% honest here: I didn’t want Superman on Supergirl. I was afraid that with his legacy and all the other ways he’s been represented on television that he would either be a distraction or steal the spotlight. I argued at the end of last season that Superboy would be the better option, especially with the mention of CADMUS. That being said, Hoechlin as Clark Kent wasn’t horrible. He fit in well with the team and was adorably awkward for most of the premiere episode. Nor did he overshadow Kara/Supergirl in any of their rescue attempts throughout the episode.

Then, of course, he’s made more likable by his interactions with other characters; especially Alex. Alex smelled him, y’all. My goodness, she’s so adorable. Someone make me best friends with Chyler Leigh, STAT. (Also, I’m all aboard the hype train that Alex is gonna fall in love with the new female detective, Maggie Sawyer.)

The biggest issue I had with Superman’s character wasn’t even something he did, per se. Clark came in with his life in his hands, everything perfect. All of his ducks were in a row; his hair meticulously combed to one side matched well with an aloof smile that attracted every woman to his side. Great at his job, praised at every turn, combined with an effortless relationship with Lois, Clark/Superman never struggles. I know he’s meant to be an ideal, but he’s too perfect to the point where it’s sickening.

On top of that is the fact that Kara makes her decision on who she wants to be and her job at CatCo because of Clark. Had Kara decided of her own accord, and with the nudging of Cat, that she wanted to be a reporter, I’d have been okay with it. But only after paling around with Clark did the job even enter her mind. It felt forced and, while not a major issue in the grand scheme of things, I expected a bit better.

And it looks as though we’ll get more of Superman, at least for another episode. Hopefully they’ll figure out the truth behind the other crash-landed Kryptonian soon.

Spoilers (highlight to read): According to Wikipedia, the crash-landed character is Mon-El, “A superhero with similar powers to Superman and Supergirl from the planet Daxam.”

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Lena Luthor and the new Baddies

Much of the conflict that happens in the premiere is because of Lena Luthor and the target on her back. Trying to make Luthor Corp a beacon of good to distance itself from her brother Lex, Lena is constantly dodging attacks from old Luthor friend, John Corben. Lena, as a character, is okay so far. I’ll withhold judgment until we see more from her, but I’m with Kara on her snap judgment of the new CEO and that she genuinely seems pretty truthful.

We were treated to several action-packed segments, thanks to the attacks against Luthor, which showcased how Supergirl and Superman work with one another. There wasn’t anything mind-blowing in their fight sequences, but I’m okay with that. I don’t’ need the CW to blow all the show’s money on the premiere. More important to me is that the show continues to have Alex fight alongside Supergirl, which they did after Corben attacked Luthor Corp’s headquarters. Lena Luthor even held her own when she took out Corben with a handgun.

Corben, mortally wounded, isn’t taken to a local hospital, but instead to CADMUS, the dirty, experimental facility currently holding Jeremiah Danvers captive. I won’t lie: I’m legit excited to see how Supergirl handles a CADMUS storyline, especially with John Corben’s transformation to Metallo at the end of the episode.

C-C-C-C-Changes

With the move to the CW comes a few changes not just in the Supergirl story but also in appearance. The most notable change is the DEO headquarters. No longer stationed in an underground cave with bats the bite Kara, the DEO has upgraded to a penthouse apartment in the middle of National City. While I like the look just a bit more than the prison cells at the bunker, I have to wonder if that isn’t a security risk. There are so many other high rise buildings in National City that it seems like a bad idea for the entrance to a super secret organization where everyone can see both Supergirl and Martian Manhunter fly into so visible.

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Another change is the incoming decline of Cat Grant and CatCo. Not that I think anything bad will happen to either, but Cat has set Kara up to be incredibly independent in her job. Winn has already left CatCo for the DEO. While Kara may still turn to her boss for advice, with Calista Flockhart’s switch from series regular to guest star, we’ll be seeing much less of the snarky, intelligent CEO. And that, ladies and gentleman, is a travesty.

James and Kara are also going through some changes while Kara tries to figure out how to live her life both as a human and an alien superhero. I love James, just not for Kara romantically (nor do I like Winn for her romantically), so I’m okay with her decision to not date him, but was it just me or did that shift come out of left field? It was odd to have Alex mention off-hand how Kara seemed to not be feeling the romance between her and James and given the events of last season, I’m not sure I believe that transition. Looks like the CW wants to put Kara back into a love triangle, since that’s their MO.

The final change comes in the form of, what I believe, to be foreshadowing. There’s an animosity between J’onn and Clark and we learn later in the episode that it’s because J’onn and the DEO house kryptonite to protect themselves from aliens. As we saw last season, J’onn would gladly give his own life to save Kara, but that doesn’t mean some of the other DEO agents trust her as fully as he does. With Clark as angry as he is about the radioactive element, I fully expect that to come back into play later in the season.

Random thoughts

I don’t know anything about science, but I have a question about the Venture’s trip to and from space: if the Venture blew an engine while outside the Earth’s atmosphere, wouldn’t it have just…floated in space, instead? Maybe I misunderstood and it was still within the atmosphere, but it didn’t look that way to me.

As much as I didn’t want Superman on the show, his relationship with Kara is sugar sweet.

With Cat Grant getting less screen, I expect Lena Luthor will step up and take her place as the lovable antagonist to Kara Danvers.

Supergirl airs Mondays on The CW at 8pm EST. 

‘Steven Universe’ NYCC 2016: Interview with Shelby Rabara and Charlyne Yi

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This weekend at New York Comic Con, The Workprint sat down with the voice actors behind two of our favorite characters on Steven Universe: Peridot (Shelby Rabara) and Ruby (Charlyne Yi).

 

Question: How long have you been doing voices on the show?

Rabara: Let’s see. I started in 2014. Towards the end of the first season is when you first see Peridot. I don’t know when Ruby came on.
Yi: Um a year and a half ago. And this was my first voice over job.
Rabara: Mine too!
Yi: And when I met you guys I was like “Oh no! You guys are gonna judge me. Oh god, you got to impress them. Gotta impress them.”
Rabara: No she did like eight different Ruby’s. It was a lot.
Yi: Yeah, I don’t know how many but I felt like a crazy person.
Interviewer: I think it was five.
Rabara: Yeah so she was killing it. She had to make five different Rubys all in one session. It was crazy.
Yi: But it’s like I’m talking to myself and you guys were watching me and I’m like “Why were they invited?!”
Rabara: Yeah I know. And I had to cover my mouth because I was giggling so much. I was like “ Oh, that is amazing!”

Question: Will Peridot have a solo song anytime soon? 
Rabara: Hopefully, fingers crossed. We’ll have to tune in for that one. But I’d love to do a song, a solo song. I’d really like to rap.

Question: Can you freestyle?
Rabara: Freestyle right now? Oh, the pressure’s on. I don’t know, it’s been a long day.

Question: I love Steven Universe because I think we are taught that we have to adhere to certain gender norms and I think Steven Universe is not a boy show or a girl show but it’s for everyone. Are there any books you would recommend to SU fans who love that the show isn’t just for boys or just for girls or any books you have read that influenced your performance?
Rabara: One book that I really like is “Running with Scissors” and I think it talks about you know what it means to grow up and go through something and I think a lot of the themes in Steven Universe kind of relate to the same themes in like “Running with Scissors” or one of my favorite books “Catcher in the Rye” they’re coming of age stories. You know, I’ve had a lot of on the spectrum people come up to me and they’re just like “We just want to thank you for your representation of Peridot. And you know I’ve been asked if Peridot is on the spectrum and well I’m not going to really say yes or no but the fact that they can identify with a character like Peridot really makes me happy because obviously people really go through something, our viewership they go through really hard things and I think like books like “Catcher in the Rye” and “Running with Scissors”, young audience members or young adults can really identify with coping, whether it’s coming out of the closet or dealing with you know LGBTQ issues.

Question: So how did you keep Peridot’s sarcasm around as she was stripped from her machinery? How did you play that to make her vulnerable but keep her hard shell, is there a way you approached that?
Rabara: So I think of it kind of like my limb enhancers and my gravity connectors were my security blanket. Now that they’re gone she kind of uses what she doesn’t know as a crutch kind of.  Like when she pushes Greg off the roof she says [in Peridot’s voice] “Well how was I supposed to know?” to Garnett. But also she wouldn’t hurt a fly. She’s so harmless she just doesn’t know any better. I use it as my crutch not having my limb enhancers. I’m like [in Peridot’s voice] “I’m small. I’m the same size as Steven.”

Question: Do you have a favorite artwork that she did in her and Lapis’s barn?
Rabara: I like the toilets in the barn. That’s my favorite.

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Question: So how do you identify with your characters? Are you a lot like them?
Rabara : Yeah, well, Shelby has a filter. I can censor myself a little bit better than Peridot does, but I do have to say I think I’m a lot like Peridot because she really just loves. She really just wants people to understand her and I want people to understand me as Shelby. So in that way, I’m the same as Peridot.
Yi: Um, I get angry a lot. I literally was telling Shelby how I said some of the lines the other day. I’m like “AT LEAST I FEEL SOMETHING” and I was like “Oh my god, I’m like Ruby!” And it’s been really nice to go into work and get all of that angst out. It’s like “Yeah I’m so much calmer now.” Also, I think people are like “Is Ruby a girl or a boy?” and I feel like I’ve definitely gotten that. They’re say to me“Go to the men’s restroom.” I’m like “I’M A GIRL!”

Question: So when Ruby comes out that means Garnett unfuses so do you ever not want to play her because that means there is conflict within Garnett?
Yi: I guess because I look at it as two people I’m like “Oh cool, Sapphire’s there.” I remember Ruby said to Sapphire “I like being being torn apart because I get to see you” and I think that’s pretty romantic. I know sometimes when I fight with my husband I’m like “Dang, I guess we just needed to hash that out and now I feel closer to you after we fought.” So I think it’s healthy to fight.
Rabara: Yeah
Yi: Unless it’s like not. Sometimes it can be really destructive, I think otherwise it’s healthy.
Rabara: I agree

Question: Looking at the progression of your characters, was it what you expected when you first got the part?
Rabara: I had no idea that Peridot was going to lose her limb enhancers and then become small Peridot and you know essentially turn her back on Yellow Diamond. I had no idea so that character arc for me was a big surprise and I’m so thankful for it because its really given me a chance to, you know, be Peridot and she’s a lot of fun to play.
Yi: I didn’t know where my character was going to go but I was pleasantly surprised that she was very flirtatious like “Hey Sapphire. Good to see you again.” Like, I’ve never, I don’t even understand what flirting is. So you know it was a personal growing experience because I just think that talking is flirting.

 

 

 

 Steven Universe is set to resume airing the rest of season 4 in November.

5 Asian Actors Who Should Play The Male Lead In Disney’s ‘The Legend of Mulan’

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Disney has been on a live-action kick these days, what with remaking Cinderella, The Jungle Book, and Beauty and the Beast all in recent years. Fan-favorite, Mulan, is the latest animated film to get the live-action treatment in the form of The Legend of Mulan. It’s a concept that excites me to my very core, because Mulan, more than any of the other Disney heroines, resonated deeply with my tomboyish pre-teen self.

Today, news of an early script of The Legend Mulan leaked and the information inside it is not what we wanted to hear. With all of the (justified) anger surrounding the whitewashing of minority characters, you would think Disney would shy away from stirring that pot any further. You would be wrong.

“The man is a 30-something European trader who initially cares only for the pleasure of women and money. The only reason why he and his entourage decide to help the Chinese Imperial Army is because he sets eyes on Mulan.”

You have GOT to be kidding me. They managed to take a heroic tale of Mulan, who set out to protect her father from war, and turned it into a cheap romance where a white dude sees something he wants, so he does whatever it takes to make it happen. Mulan is our hero, not some “savior” from the west. Not only that, but up until this point, the Disney live-action remakes have remained relatively faithful to their animated counterparts. Why would they change course with The Legend of Mulan?

Along with this early script, there is also news that because this is an early draft that the casting and story could potentially be changed. For Disney’s sake, I  hope this rumor is true. And like the giving person that I am, I’m here to help Disney cast a male lead for The Legend of Mulan who isn’t just a generic white dude. Because let’s be honest: a lack of diversity hurts all of Hollywood, not just the minorities.

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Harry Shum Jr.

Easily the most well-known name on this list, Shum Jr. got his start on Glee as Mike Chang, which means he has the voice to sing, oh, I don’t know, “I’ll Make A Man Out of You,” among other things. Currently, he stars on Shadowhunters: The Mortal Instruments, the TV show that follows the events of Cassandra Clare’s Mortal Instruments series.

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Daniel Henney

Daniel Henney played Agent: Zero in that Wolverine movie no one likes to talk about, but more importantly, and most recently, he voiced the adorable Tadashi in Big Hero 6. He’s popular in Korea where he has starred in several Korean TV dramas. He’s been praised for his acting range and he’s gorgeous, to boot.

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Lewis Tan

You’ll see a lot more of Lewis Tan in the future, as he is set to star as Zhou Cheng in Marvel’s Iron Fist, set to release in March on Netflix. With the way the Netflix and Marvel shows have catapulted actors to stardom, Disney would be wise to grab him up before someone else.

mulan-4-ki-hong-lee

Ki Hong Lee

Known for his roles as Dong Nguyen in Unbreakable Kimmy Schmidt and Minho in The Maze Runner series, Lee is probably the least likely actor on this list to make it into The Legend of Mulan, but that’s not going to stop me from trying anyway! If Disney wanted to steer toward a more aloof and quirky male, Lee would be an excellent fit.

mulan-5-christopher-lee-1

Christopher Sean

Easily my favorite of the bunch, Sean has everything I want in a Li Shang (or even just a male lead opposite Mulan). He’s charming, funny, has a great smoulder, and is absolutely beautiful. Sure, he’s on Hawaii Five-O and Days of Our Lives, but you need to watch him in The Lizzie Bennet Diaries as Bing Lee. It will tell you all you need to know.

I’m sure there are some actors I’ve left out of this list, so if you have other suggestions, let us know in the comments!

‘Shadowhunters’ NYCC 2016: Katherine McNamara and Emeraude Toubia on Grittier, Action-Packed Season 2

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Shadowhunters
Shadowhunters stars Emeraude Toubia and Katherine McNamara at New York Comic Con 2016 (image: Nicole C/The Workprint)

Shadowhunters rocked New York City Comic Con once again bringing main stars Dominic Sherwood, Katherine McNamara, Matthew Daddario, Emeraude Toubia, Alberto Rosende, Harry Shum Jr., and Isaiah Mustafa along with new showrunners Todd Slavkin and Darren Swimmer as well as author Cassadra Clare. The series is based on the book series The Mortal Instruments (written by Clare) that follows the journey of Clary Fray, an artist who discovers she’s half angel and must now navigate a world where vampires, werewolves, and demons exist.

The Workprint caught up with Katherine McNamara (Clary Fray) and Emeraude Toubia (Isabelle Lightwood) on their characters’ growth as well as a grittier and action-packed season 2 of Shadowhunters at New York Comic Con.

‘Shadowhunters’ NYCC 2016: Dominic Sherwood and Matthew Daddario Tease Darker Season 2

‘Shadowhunters’ NYCC 2016: Alberto Rosende, Harry Shum Jr., and Isaiah Mustafa Talk Season 2

Watch our full interview:

Clary’s entire world has been revolving around finding her mom so what happens now?

Katherine McNamara: What happens now is that Clary has to confront the fact that her mother lied to her for 18 years and that the relationship of trust and respect that she thought she had with her mother is all a lie. And so she has to deal with that betrayal on top of the fact that her mother still sees her as a little girl, her mother still sees her as this mundane that was sheltered. Clary’s out of that life now she’s a shadowhunter, she’s developing into this warrior and getting her mother to see that, getting her mother to see her growth and maturity is a huge challenge. It’s a huge challenge for her this season But you know she has someone else to lean on that also has issues with her mother.

Emeraude Toubia: But not for long!

McNamara: That’s true we do fight! We fight this season more than just physically.

Toubia: Yea so that’s going to be exciting.

Well that’s great cuz I feel like Isabelle all of last season was focusing on other people, so in this season does she get to stand up for herself? 

Toubia: She gets a lot of like solo stuff.

McNamara: She does something for herself I’ll tell you that much!

Toubia: Yea she goes down a dark path this time around. She’s starting to, it’s the same character but she’s in different places so the circumstances make her act differently. So it’s going to be exciting, it’s going to be dark, it’s going to be mature.

McNamara: That’s whats so great about this season it’s darker, it’s grittier. We do have a sense of maturity and we are straying very far from the books, which is exciting because it allows us to take these characters, I mean we still stay with the tone and the spirit of the books and what they mean to people and the characters stay very true to themselves. But it allows us to throw these characters in situations that they wouldn’t have otherwise been in and it forces them out of their comfort zone and it forces them to make very difficult choices.

See this sneak peak at Clary and Isabelle’s training session that was released to panel attendees at NYCC.

In addition, watch the first trailer to season 2, coming on Freeform January 2, 2017.

https://youtu.be/Y7B8iupdc6U

‘Shadowhunters’ NYCC 2016: Dominic Sherwood and Matthew Daddario Tease Darker Season 2

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Shadowhunters stars Dominic Sherwood and Matthew Daddario at New York Comic Con 2016 (image: Nicole C/The Workprint)

Shadowhunters rocked New York City Comic Con once again bringing main stars Dominic Sherwood, Katherine McNamara, Matthew Daddario, Emeraude Toubia, Alberto Rosende, Harry Shum Jr., and Isaiah Mustafa along with new showrunners Todd Slavkin and Darren Swimmer as well as author Cassadra Clare. The series is based on the book series The Mortal Instruments (written by Clare) that follows the journey of Clary Fray, an artist who discovers she’s half angel and must now navigate a world where vampires, werewolves, and demons exist.

The Workprint got a chance to sit down with our favorite parabatai duo Dominic Sherwood and Matthew Daddario to talk about a darker season 2.

‘Shadowhunters’ NYCC 2016: Alberto Rosende, Harry Shum Jr., and Isaiah Mustafa Talk Season 2

Watch our full interview:

Will we see a relationship form between Jace and Jocelyn this season?

Dominic Sherwood: To an extent. You see there’s definitely a relationship if you look at a relationship in terms of the most broad sense, there is a relationship that develops. But there’s anger there, yea there’s a lot of anger there. Neither of those two people are ready to fall into mother-son relationship, neither of them are. There’s wanting on both sides. There’s wanting for Jocelyn to deal with this son and there’s wanting for Jace to have a mother, he never had a mother. He wants this person in his life but there’s fear and trepidation on both sides as well.

To turn to the father’s side, we saw Clary at the Clave she was kind of outed and no one really wanted to connect themselves to her, how does Jace deal with that? 

Matthew Daddario: That’s sorta, that’s the thing. So we can’t really answer that one. You know that’s what we’re going to find out.

Sherwood: I mean as it stands at the outset Valentine and Jace are still together and we don’t know exactly. We don’t know what Jace is planning. We don’t know why he left whether it was to save his friends or because he’s actually drawn to his biological father. We don’t know from the outset and unfortunately that question is kinda answered pretty quickly throughout the season so I can’t say anything right now otherwise I”m giving everything away.

From your perspective as the tone gotten darker for you guys this season?

Sherwood: Oh infinitely so. You guys saw the footage of Aldertree, meeting him and cut to Jace getting punched in the face by a giant. Yea it’s a lot darker this year and it’s giving us more freedom to play with elements of psyche and abilities and consciousness that we wouldn’t have had an ability to deal with before. So yea it’s great for us.

Daddario: It’s scary.

Sherwood: Yea it is scary.

Daddario: Some of the demons are quite scary. Very terrifying.

In addition, it was revealed on the Shadowhunters NYCC panel that Paul Wesley of The Vampire Diaries will be directing an episode in season 2! Watch the announcement:

Shadowhunters returns on January 2, 2017 on Freeform.

NYCC 2016: ‘Iron Fist’ Panel Shows Off Danny Rands Return to NYC in First Clips

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Iron Fist

Saturday night at New York Comic Con played host to Marvel and Netflix’s newest series, Iron Fist. The series, which finished filming its first season at 9 AM that same day, debuted five clips showing off Danny Rand, the titular hero, as well as the supporting characters around him.

Clip 1: Danny’s Return to NYC

The first clip of the Iron Fist panel finds Danny Rand returning to his old stomping ground in New York City. Unfortunately for Danny, he looks more like a homeless hipster as he walks barefoot around the city. He stops by a hot dog vendor and tells the man, “That’s my building,” as he points to the Rand building.

Danny arrives at the Rand building and asks the receptionist that he is there to see his deceased father’s business partner, Harold Meachum. The receptionist isn’t having any of it from the homeless looking Rand and has security throw him out.

Rand quickly reenters the building and begins a swift dance of light violence as he takes out the guards that try to stop him on his way to the elevator. It’s quite evident in Rand’s movements at how calm and masterful he is over his movements. The first clip was a great taste of Rand’s mastery of his abilities.

Iron Fist

Clip 2: The Meachum Siblings 

If Rand was happy-go-lucky in the first clip, he’s the complete opposite in the second clip of the panel.

The scene opens to a fancy restaurant where Joy and Ward Meachum are interrupted by a pissed off Danny Rand over what appears to be a dispute about the business. Joy and Ward seem to have no love for their old friend who they had assumed was dead.

Danny threatens that he now has Hogarth (Carrie Ann-Moss from Jessica Jones). “You can’t deny what’s mine, what my father meant for me to have,” Danny yells before smacking a glass across the room.

Clip 3: Enter Harold Meachum

The scene opens with Danny Rand waking from his sleep, tied to his bed,  in what appears to be a dream/drugged state to find Harold Meachum sitting next to his bed.

Harold appears to be testing to see if Danny is who he really says he is. “Do you remember the song I used to sing that used to annoy the shit out of you?”

“Danny Boy,” Rand deliriously answers causing Harold to start humming the song.

Harold presses Danny on what happened to him. Danny explains he was taken under the care of the Crane Mother (aka Madame Gao from Daredevil) in K’un-Lun, one of the seven capital cities of heaven.

In K’un-Lun, Danny became a warrior where he “only felt alive in the middle of a fight.” He became one of the immortal iron fists. Danny also claims he is the only one who can destroy The Hand (the enemies seen in the second season of Daredevil).

Iron Fist

Clip 4: The Iron Fist Hallway Fight

It’s not a Netflix Marvel show without a hallway fight of some sort.

A blonde woman (I’m guessing Joy Meachum, but can’t say I’m 100% sure) is being kidnapped by Asian men carrying axes.

The highlights of the fight are Danny’s swift movements as he quickly takes down his opponents. The action is closely comparable to Daredevil, but Danny’s fighting style is vastly different from Matt Murdock’s. The scene is also filled with slow-mo shots as Danny puts the beat down on his enemies and dodges axes.

Clip 5: Colleen Wing Brings Down the House

While the show is called Iron Fist, it wasn’t Danny Rand but Colleen Wing who brought the biggest reaction out of the crowd.

The clip opens to the beginning of a cage fight where Colleen is facing off against two giant men. Her takedown of both men is one of the most brutal scenes I’ve witnessed from any of the Marvel shows on Netflix. The fight alone is filled with blood and countless broken bones.

Marvel’s Iron Fist will premiere on Netflix on March 17, 2017.

‘Shadowhunters’ NYCC 2016: Alberto Rosende, Harry Shum Jr. and Isaiah Mustafa Talk Season 2

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Shadowhunters stars Alberto Rosende, Harry Shum Jr. and Isaiah Mustafa at New York Comic Con 2016 (image: Nicole C/The Workprint)

Shadowhunters rocked New York City Comic Con once again bringing the entire main cast along with new showrunners Todd Slavkin and Darren Swimmer as well as author Cassadra Clare. The series is based on the book series The Mortal Instruments (written by Clare) that follows the journey of Clary Fray, an artist who discovers she’s half angel and must now navigate a world where vampires, werewolves, and demons exist.

The Workprint got a chance to sit down with stars Alberto Rosende (Simon Lewis), Harry Shum Jr. (Magnus Bane), and Isaiah Mustafa (Luke Garroway) to chat about what fans can expect from their characters in season 2.

‘Shadowhunters’ NYCC 2016: Dominic Sherwood and Matthew Daddario Tease Darker Season 2

Watch our full interview:

With the new season coming up, what do you feel is the biggest challenge for your characters that you would face?

Alberto Rosende: For Simon I think it’s something that everyone struggles with it’s coming into yourself and owning who you are. In this new change of becoming a vampire kinda made that harder for Simon because he was just getting the hang of who Simon was now there’s vampire Simon. So I think that’s kind of where Simon’s journey lies right now, discovering where his strength is.

Is he going back to his rockstar dreams or has he kinda given that up?

Rosende: He’s definitely not given it up but other things have kind of taken over right now and he doesn’t have the time to fall back into it. I want rockstar Simon to happen!

Harry Shum Jr: The challenge I think for me as I learn, I feel like with every script I’m constantly learning more about Magnus is dealing with someone who’s lived this long and wise and still have this vulnerability that plays into situations that he’s dealt with now is always hard because for someone who’s lived so long has seen everything, done everything, experienced everything, felt everything. How do you let them still feel almost for the first time. Yea there’s a human side, I think that’s what we’re trying to dig into this season and showcase his character.

Isaiah Mustafa: I think now that Jocelyn’s awake, trying to raise Clary, now she’s in the shadow world so now how do we raise this child in the shadow world that we were trying to protect her from now that she’s immersed in it. You know it’s like trying to tell your teenager you need to go do that they’re like, yeah I’ll figure that out myself I don’t wanna hear what you have to say. And even if they do it wrong they may not come to you and say oh you were right, but you share that glance and you don’t have to rub their face in it, I mean I’m thinking about my daughter right now.

In addition see this season 2 sneak peak revealed at New York Comic Con:

 

Shadowhunters returns on January 2, 2017 on Freeform.

Netflix Releases First ‘Iron Fist’ Trailer at New York Comic Con

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iron fist comic cover

Fans attending Marvel’s Iron Fist panel at New York Comic Con 2016 were treated to the first official trailer of the series and it was glorious. Attending the event were stars Finn Jones (Danny Rand), Jessica Henwick (Colleen Wing), Jessica Stroup (Joy Meechum), David Wenham (Harold Meechum), Rosario Dawson (Claire Temple), and Tom Pelphrey (Ward Meechum) with the head of Marvel TV Jeph Loeb moderating.

In addition to the trailer, attendees were also treated to multiple scenes from the show, which wrapped filming this morning. The reception was enthusiastic as we saw Danny’s welcome at the Rand building, a crazy hallway fight with Danny and possible members of the Hand, Colleen Wing in a brutal cage fight, a creepy Harold Meechum and Danny scene, and an intense moment between Ward, Joy, and Danny.

Marvel’s Iron Fist will be released March 17, 2017 on Netflix.

Netflix’s mini summary:

K’un-Lun saved him. Lei Kung trained him. And now, Danny Rand is back to fight for what’s his.

‘Dancing With the Stars’ Review: Where the Hell Is Len?

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dancing with the stars

It was “Cirque de Soleil” week on Dancing With The Stars, where all the songs and dance routines were inspired by and taken from Cirque shows. In addition, the dances featured performers from “Cirque de Soleil,” doing everything from acrobats to aerialists, breathing fire, and other odd circus events. At the top of the show, Tom Bergeron and Erin Andrews stand side by side, and Bergeron looks like a human Emmy Award standing next to her, he is so short. Erin could put him in her pocket and take him home.

Bergeron makes the funny comment: “Tonight we are looking for the level of excitement that exists in Bruno’s head 24/7.” Speaking of the judges, where the hell was Len? He was missing in action in this episode, and I gotta say, I MISSED HIS CRANKY ASS. Bergeron gave a vague and quick “explanation” at the top of the show that made little sense – something about “our head judge passed out earlier”, but he didn’t expand on it. At least, that’s what I think he said. Perhaps Len was napping, or maybe it was pork chops and applesauce night back at the nursing home, and he didn’t want to miss it. In any case, let’s get started on the dancing, shall we?

CALVIN / LINDSAY:

Performed the Charleston, from the show “Kurios.” There was a dude on a flying bike behind them the whole time, so it was hard to pay attention to what the heck they were actually doing in the dance. It was good fun, though, and quite athletic. Julianne said, “you nailed that!” Bruno said: “You were tossing her in the air like she was a pancake!” Len said nothing because he didn’t exist on the show this week.

Scores were 8/7/8.

MAUREEN / ARTEM:

The show was “Mystere”, and the dance was Argentine Tango. Her wrinkly face and neck get creepier each week, and she cries a lot during rehearsals. He was frustrated with her, then they had a really good dance. Again, there was a dude doing flips in the background, which I found way more riveting than their dance. Bruno called Maureen a “1920’s beauty queen”, and Carrie Ann said, “we were drawn into you, it was dreamy.” Maureen freaked out with excitement at the scores, yelling: “Dreams DO come true! They do!!!” Okay, Marcia. Calm down. It’s just a meaningless score on a fun little dance show.

Scores were 8/8/8.

JANA / GLEB:

They danced the Foxtrot to the Beatles “Here Comes the Sun” , from the show “The Beatles Love.” Holy hell, he is sexy. The dance was cute and sweet. He was fully dressed this week, which I did not care for or agree with. Carrie Ann loved the choreography, and Bruno said he was “bathing in the afterglow. I’m still high!” Well alright then.

Scores were 8/7/8, and Bruno enjoyed his joint and got the munchies.

MARILU / DEREK:

They did the Pasa Doble to the show “Ka.” It was a really cool dance, that ended with her shooting an arrow at Derek, metaphorically. And then he dies. Metaphorically. Julianne thought the creativity in the dance was “out of this world”, and then Bruno stood up and said lunatic type things that nobody understood.

Scores were 7/7/7.

AMBER / MAKS:

Their dance was very sensual, and Julianne said, “this is your essence.” Bruno said it was “Hot! I would have plenty more of that dish, I’ll tell you that!” Okay, then.

Scores were high, but not as high as Bruno, at 8/8/8.

RYAN / CHERYL:

The show is called “O”, and they dance The Viennese Waltz. In their black and white costumes, they looked like moving chess pieces, which was very cool. Julianne said, “you’re on the right track, great dance.” Bruno said something weird about yin and yang, and then random people, protesters maybe, began yelling things at Lochte once again, during the scoring.

Judges scores were 7/8/8.

BABYFACE / ALLISON:

They did the Tango, from the “Beatles Love” show, and the song was “Come Together.” The premise was really cool, a bunch of moving spotlights that they had to find and dance into. What ended up happening, though, was quite the clusterfuck. It looked like they were chasing and running after each spot, and they could never catch up. The timing was very off. He knew it and had a good attitude about it. Julianne noted it was not their best performance, while Bruno yelled something insane about “It was like POLTERGEIST! STAY IN THE LIGHT!” What??? Carrie Ann noted: “Next time, I want it harder.” Oh, I’ll bet you do. WHERE THE HELL IS LEN??? I miss him. This episode was boring without him yammering on and on about things, and acting all cranky-like.

Scores were bad at 6/6/6.

TERRA / SASHA:

From the show “O”, they did the Samba, and it was wonderful. She moves very well and has great rhythm and timing and a good feel for the music. Bruno said, “you light my fire!” Carrie Ann said, “you’re in a league all your own.” Julianne called it sexy and told Terra that she was officially a dancer.

Scores were 9/8/8, making her the first cast member to receive a 9 this season.

LAURIE / VAL:

This was the dance of the night, by miles and miles. From the show “One”, they danced to the Michael Jackson classic song: “The Way You Make Me Feel”, and it was fantastic. So fast, energetic, and so much like the original music video. Maks played Michael himself, and Laurie played his love interest. I want to watch this again and again. Carrie Ann said, “a star is born!” Julianne called her the Queen of the Ballroom, and Bruno said it was stunning. Scores were 10/10/10, making that the first tens and

Scores were 10/10/10, making that the first tens and first perfect score of the season. Laurie’s reaction backstage with Erin was in complete and utter shock.

VANILLA ICE / WITNEY:

They did the Viennese Waltz, from the show “La Nouba.” There was a woman spinning upside down behind them on stage. He danced pretty well, though. He is likable. Carrie Ann thought it was much improved, and told him to keep it up.

Scores were 8/7/8.

JAMES / SHARNA:

The Quickstep was the dance, and it was pretty awesome. Carrie Ann couldn’t get words out, so she made weird sounds instead. “Hammered it. Boink! Wee!!!! Yay!!!” What the …??? Bruno called them “pure Fred and Ginger.”

Scores were the second highest of the night at 9/9/10.

ELIMINATIONS:

It was a double elimination this week, so two couples went home. They were:

Babyface and Allison AND Vanilla Ice and Witney.

I hope Len is back next week. I can’t handle watching this show without him.

‘Pitch’ Review: Shamier Anderson Guest Stars in “Beanball”

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Pitch
Season 1, Episode 3: “Beanball”
Thursday, October 6, 2016

Spoilers through Pitch season 1, episode 3: “Beanball.”

It is with a solemn heart that I inform all of you that Alyssa is gone this week for New York Comic Con and thus, will not able to review Pitch’s third episode, “Beanball.” Fortunately, I am here to take her place which means that some shenanigans are about to ensue up in this joint, so let’s get started, shall we?

The theme of this week’s “Beanball” focused on two main plots: 1. Ginny’s past love life and 2. Ginny at bat. Ginny gets that first ball rolling after she receives a bottle of champagne from Drake which leads to some banter between her and injured pitcher, Tommy Miller.

Miller: “She’ll go out with rappers, but not ball players.”
Ginny: “First of all, I’m not going out with Drake. I don’t even know Drake. But I’ve met you guys, and I don’t care if you’re rappers or doctors, I’m never going to go out with you.”

“She doesn’t date ball players”

After last week’s episode, I wrote about my hopes that Ginny Baker wouldn’t get into romantic entanglements with her new teammates, especially Blip and Lawson. Thankfully, Fox seems to be sticking to that trend for the time being. Lawson hooked up with Amelia and Blip and Evelyn are still leading the league in adorableness, so we can put away the pitchforks for now. How to the ever, that doesn’t mean that Ginny can’t have some romance, too. And boy does she in the form of the always charming Shamier Anderson. (OHHEY, Agent Dolls!)

It looks like Pitch is sticking with the flashbacks to Ginny’s time before she joined the MLB and while I’m not usually a fan of flashbacks, in this situation, I think they work. Unlike, say Arrow, the flashbacks have their own story to tell, eventually leading back to the main story in the present. They aren’t just excuses to fill ten minutes of screentime. For that, I’m grateful. The pilot episode has, however, made me a smidge gun shy about whether or not the characters in Ginny’s flashbacks are actually alive.

But let’s get back to the business at hand, which is Ginny kissing Shamier Trevor. Trevor is a catcher for a rival team while Ginny’s playing in Texas and one night while out with Blip and Evelyn, he asks to buy her a drink. Ginny sticks firm to her “no ball players” dating rule and sends him away. However, Trevor is persistent and eventually he wears her down by confiding at dinner that he wants to quit baseball and go back to college. Ginny finds this admirable and decides to date him. The pair go on a few adorable dates, even sharing a sweet scene where Ginny teaches Trevor how to golf.

pitch ginny trevor
Rules are more like guidelines, really.

Happiness doesn’t last long for Ginny and Trevor, as Ginny learns that Trevor didn’t intend to quit playing baseball and instead had signed with the Cardinals farm team, giving him a shot at the majors. She’s clearly heartbroken and betrayed by his actions because she had a rule and she broke it for a man who didn’t seem to respect how hard it was for her to break it in the first place.

Back in the present, Trevor is the catcher for the St. Louis Cardinals and after the game he warns Ginny about a potential scandal involving pictures of the two of them back when they were dating.

“There’s a code” 

The last time the Padres played the Cardinals, the Cards’ pitcher, Falcone, hit Tommy Miller and broke his hand, which was the whole impetus for calling up Ginny in the first place. Ginny, still adamant on being one of the guys, aims to settle that score by hitting Falcone, starting up a beanball feud between the two teams. Lawson cautions against this retaliation, telling her that a “whiffle ball would hurt more” than one of her pitches.

With Al thrown out of the game before the pitch is even thrown, it’s up to Buck to step in as acting manager. Of course, he’s given a doozy of a situation to handle, especially after Ginny pelts Falcone, but with the backing of Miller, he gives her the okay to go to bat. The Cards sub out Falcone as pitcher and bring in a guy nicknamed “The Mountain” and I’ll give you two guesses as to why he’s called that. “The Mountain leads the league in hit batsmen.” Despite his name and Lawson’s reservations about Ginny hitting, the Mountain doesn’t try to hit her. In fact, he doesn’t even give her a chance to swing, throwing only soft balls over the plate.

Ginny is livid that Mount won’t continue their feud and storms up to the plate with a bad attitude, “What’s a girl gotta do to get beaned, huh?” Mount throwing four balls during their beanball feud was the worst thing that could happen to Ginny because it only reinforces the idea that she’s special, that’s she meant to be treated differently than the rest of the guys. Had it been Miller at bat, Mount would have hit him. Ginny gets into a tiff with Trevor, telling him to “nut up” and who is first to defend her actions?

Tommy. Freaking. Miller.

Both pitchers get booted from the game and the relationship that was once laced with distrust and envy has evolved into one of respect.

My god, I love this show.

Other things that happened

Al campaigns not to be fired because if he’s let go, everyone will see it as Ginny’s fault and he doesn’t want that blame on her shoulders. Pitch does a really good job of taking characters like Al and making them likable in unexpected ways. For most of the episode, Oscar, the Padres’ GM, searches for a Korean translator, but surprisingly it’s Al who speaks Korean and tells his player he’s being sent back down to the minors.

Lawson and Amelia do their best to keep their budding romance a secret, but Ginny isn’t stupid. I’m sure she’ll figure it out sooner or later. Is it just me or is Amelia acting kind of shady where Lawson is concerned? There’s more to her shyness about the relationship than just, “Ginny admires you.”

Random Thoughts

Lawson making breakfast after a night with Amelia: “This is for me. I can whip something up for you, if you want?” Lawson, you ain’t fooling anyone with that devil-may-care attitude. We know underneath that scruffy beard lies a heart of gold just begging for someone to love.

The Baker/Lawson dynamic is really growing on me. Their friendship is phenomenal and I’m excited to see how things play out, especially after the promo for next week’s episode.

Even more exciting is the newfound Baker/Miller relationship.

More people need to be watching this show because it’s in ratings trouble and if we’ve learned anything about Fox, it’s that that is a bad sign. TELL YOUR FRIENDS.

Pitch airs Thursdays on Fox at 9pm EST. 

‘How To Get Away With Murder’ Review – “Always Bet Black”

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Season 3, Episode 3
Original Air Date: October 6, 2016
Grade: B

Spoilers through How to Get Away With Murder season 3, episode 3: “Always Bet Black.”

There’s a sense of disappointment in the air after this week’s episode of How To Get Away With Murder. In the last few minutes, we found out another person who isn’t on that stretcher and unfortunately, it isn’t Bonnie/pseudo-Sarah Paulson. Oh, joy.

One of the first scenes in “Always Bet Black” provides us with Nate and all of his godliness. Apparently, Annalise is trying to set up boundaries between the two in terms of work after Nate decides to take it upon himself to search for Frank. Clearly, this may end up not working in Annalise’s favor as Nate doesn’t ever seem to listen and for a woman as dangerous as the one he loves, it’s only going to get worse before it gets better. As long as he isn’t the one on that stretcher, we’re good, though.

Meanwhile, the main case for this week revolves around Toby who has been trying to get a fair trial thanks to being in the presence of a young escort who ends up dying. Michaela takes on the case, which proves to be disturbing for her as he overtly flirts with her and also delights in the fact that he takes selfies with the deceased woman instead of calling 911.

Annalise guarantees that he won’t go to prison and will provide him with a fair trial. Ha.

Turns out, Toby is being blackmailed by a previous lawyer and bargained $200,000 so that no one will know that he killed an entirely different woman after she didn’t want to sleep with him. Needless to say, Toby is not one of the favorites and ultimately, makes for a less than exciting episode. Thankfully, Annalise gives him a well needed and quite exciting slap after he complains about actually having to go to prison for three years, despite killing two women.

how to get away with murder

Connor and Olivier meanwhile are going through their regular battle between trying to be friends and work cooperatively in a space of also being exes. Laurel is using her father to find Frank but that opens up a can of worms due to her father abandoning her mother and her. She also finds out that he’s been wire-tapping her phone and doesn’t think Frank is a good fit for her. So all in all, though they’ve cleared the air, Frank isn’t worth having to go through the drama between her and her father. He tells her that Frank is in a motel in Philadelphia but Laurel tells Annalise a lie in an effort to protect Frank.

These lies that everyone is telling each other won’t serve to do anything good for none of the characters. Connor and Olivier are still confused about their future, Wes has lied about his real feelings for Laurel to his girlfriend, Annalise is trying to protect Nate which won’t do her any good and Laurel is trying to get to Frank not knowing the full circumstances at hand. This won’t work out good at all.

How To Get Away With Murder airs Thursday on ABC at 10pm EST. 

The Issue With ‘Luke Cage’

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Minor spoilers for Marvel’s Luke Cage on Netflix.

For all of the greatness and pomp and circumstance surrounding the arrival of Luke Cage, there was still worry about whether or not it would be a great show. Thankfully, Luke Cage delivered. As seen in the features covered on The Workprint these past few days, the series provides us a look inside Harlem, celebrates black women in unconventional and innovative ways, has a hot soundtrack, and provides us with a prominent black superhero on television. There’s just one issue–Luke Cage isn’t really that great.

Bear with me here because I know I’m about to ruffle some feathers. The concept of the show is that Harlem is struggling because of young hoodlums who use the “n-word” and it’s Luke Cage’s mission to clean up the streets and bring it back to the good ol’ days when old ladies could at least expect to have their groceries carried. Give me a break. Cage loathes the use of “the n-word” and the actor himself, Mike Colter, voiced how he believes Luke wouldn’t be a “person to use that language.” As if the use of a word tied to someone’s own culture–a culture Cage celebrates himself–contributes to someone’s character.

Luke Cage, as a character, isn’t charismatic, nor is he ever really as enjoyable as watching Deadpool or Iron Man. You can sense the boredom that he carries around which may be why the host of other characters seem so much more intriguing. The mystique surrounding Cage regarding his history and his whereabouts are the driving force for him behind most of his actions, but you’re not going to get a joke or a shiny smile out of this hero.

Luke Cage

Moreover, there’s a weird sense that although the Black Lives Matter movement is acknowledged, the show is more of a call back to black on black violence. Despite the failures of the police officers on the show, it’s Harlem’s responsibility to clean up its own act and get rid of the hoodlums that populate the street. Police officers can be picked up and thrown while still being respected. Meanwhile, the youth of this neighborhood cannot be saved by Cage and instead are judged for making the wrong decisions. If Cage’s mentor, Pop, was still a kid when Cage was a hero, he would’ve wasted no time in feeding him to the wolves, despite the fact that Pop made a turn around after a stint in prison.

While I appreciate the portrayal of Luke Cage as a savior, it would be nice to have someone who challenges him to see things a different way without being looked at as insane (Diamondback), overwhelmed (Misty Stone) or morally corrupt (Cottonmouth). There’s a place in me that feels that once the season was over, Cage learned nothing whatsoever except that it was time to stop hiding from his past. His journey had been less about accepting the people around him for who they are and more about having to follow the rules of the corrupt system. His potential love interest, Claire Temple, even references Daredevil, stating that she knows a “very good lawyer.” It’s as if Cage is accepting of the order of systematic oppression until someone from his community fights back or goes off the path he would prefer.

Since the premiere, the reception to Luke Cage’s protagonist has been turbulent. Someone on Twitter even likened him to “Herman Cain with superpowers.” Yikes. Other characters like Mariah Dillard and Cottonmouth are given an opportunity to display depth which provide us with a clear of who they are as characters. Luke Cage does get a backstory of how his powers were acquired, but unfortunately, we never get to see the nuances and layers that make him who he is. There’s no conversation happening among the people he’s around other than his feelings towards his past love, Reva, and the moral decay he witnesses throughout Harlem. Cage never confronts his own motivations. Hell, we know more about why Diamondback feels the way he does than the star of the show.

Overall, the show provides an excellent look inside of a neighborhood we’ve needed to be seen on television for a long time now, and there are characters who are intricate and I hope to see further within the next season. Maybe even the star can finally show us why we deserve to have a bulletproof hero in a hoodie.

All thirteen episodes of Luke Cage are available to stream on Netflix. 

NYCC 2016: ‘The Exorcist’ Interview with EP Jeremy Slater 

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The cast and executive producer of Fox’s The Exorcist took to New York Comic Con Thursday afternoon as the series previewed the upcoming episode at Hammerstein Ballroom.

The Workprint caught up with executive producer Jeremy Slater to discuss the adaptation process from film to TV and what fans can expect from upcoming episodes.

Question: What has your role in the series been?

Slater: I’m a life-long horror fan. I saw the original Exorcist as a child and it traumatized me for weeks. When I heard they were turning The Exorcist into a TV show and they were looking for a writer… I said, “That’s a terrible idea. Please don’t do that. You’re never going to be able to tell that story better, you’ll only be able to tell it longer.” I went to the right’s holders and aggressively pitched, “You don’t want to tell the same story about Regan and Father Marin and Caris, you want to tell a brand new story with a brand new group of characters that takes place in the same universe, but forty years later.” You’re not writing the original film out of existence. You’re not saying this story never took place, you’re just exploring what demonic possession looks like in 2016. What does an exorcism look like after watching exorcisms in pop culture for 40 years? What is it like following an American family over the course of ten hours and watching them fall apart when they are attacked by this supernatural force as opposed to trying to cram all that into 90 minutes. Those were kind of the things that appealed to me and drew me to the project.

Question: What was the process behind crafting the two priests?

Slater: We knew we wanted two priests, obviously a young and an old. There was no appeal in using the same exact archetype so we had to look for new ways that we could spin these characters. Also what’s appealing about this character where you can tell stories about him just not for ten episodes in this first season, but maybe for six or seven season if this show is a hit. What makes this someone you want to follow on a journey?

The idea of creating a Father Marcus who is sort of a James Bond figure. He’s very much a man without a country, a soldier of fortune, someone who the Catholic church has turned their back on in a way. He is their dirty little secret that they are trying to forget. He’s kind of gone rogue a little bit, he’s living off the grid and continuing this fight.

And then contrasting that with someone like Tomas, who is basically your perfect priest. He’s compassionate and someone you’d trust with your deepest darkest secrets. All he wants to do is help the people around him, but at the same time, he is dangerously naive. He doesn’t believe in these things. If you come to him and start talking to him about demonic possession, he’ll tell you the concept of demons are metaphors. These aren’t actual, physical tangible beings to be afraid of. Obviously, Tomas is learning very quickly that he was wrong about the world. So he can serve as an entry point to the audience and serve as our eyes and ears as we are introduced to this world.

Question: What will the season structure for The Exorcist look like?

Slater: My original pitch was that every season would be a self-contained story from beginning to end. It’s not an anthology show like American Horror Story where it resets. The characters who survive this first season, you’ll see them again hopefully in future seasons. It is an on-going story. I wanted every season to be its own case. I think if you try to do The Exorcist as a monster of the week show, every week they are doing another exorcism, halfway through the season you’d be out of story to tell. Marcus and Tomas would be off investigating the New Jersey Devil or UFO sighting. It would turn into another X-Files clone and the world has enough of those. The goal was to make sure the first season has a beginning, middle, and end so by the end of the season you would get a definitive answer to the possession of Casey Rance. If audiences respond, we’ll see where to go from there if we are lucky enough to get a second season.

Question: A lot of exorcism in pop culture revolves around Christianity. Do you ever look at other religions?

Slater: We do and that is actually something that will be explored more going forward. In episode four you will see an exorcism performed by someone who is not a Catholic priest. We are going to start expanding that world. The mythology of our show is that there is a secret war going on. Evil has already invaded, they are already among us. They have their own plans and agenda. That’s not an evil that is focused on fighting one religion. It’s good versus evil. As the show goes on, I think that is part of the fun. What does an exorcism look like if it is performed by a Santa Maria priest, what does it look like if performed by a nun or a Buddhist monk. Do these different religions have different methods of fighting the same thing and can our heroes draw from them to improve their skills? To me it gives you the ability to tell new sorts of stories.

The Exorcist airs Fridays on Fox at 9pm EST. 

‘Arrow’ Premiere Review: “Legacy”

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Arrow
Season 5, Episode 1: “Legacy”
Original Air Date: October 5th, 2016
Grade: B+

Spoilers through Arrow season 5, episode 1: “Legacy”

SO, THE ARROW PREMIERE. LET’S TALK ABOUT THAT FOR A MINUTE.

Don’t tell me that I’m the only one who was impressed, especially after the flop of Season 4?

The camera work. The fight choreography. The witty lines. The pilot parallels. The flashbacks. The show was not put together after Season 4, and the premiere of Season 5 was the needle and thread that would make the show whole again.

The premiere, “Legacy,” truly showed the essence of what Arrow really was about. (Oliver kicking ass, obviously.) As Arrow slowly drifted into magic, Felicity, and drama, the episode tonight brought it back to Stone Age Oliver, the one who liked to break people’s necks and spoke Russian. Also, he could break zip ties, and “no one could know his secret.” Was I the only one who caught that? Think about it: Arrow, Season 1 Episode 1. The scene from tonight’s episode was completely in tribute to the pilot, where the same exact situation played out with almost the same lines. The brains behind Arrow are, not at all subtly, bringing it back to how the show was in the beginning.

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“You’re delusional. You’re zip-cuffed to that chair.” “Not anymore.” Arrow, “Pilot” Season 1 Episode 1

“Legacy” gave me EMOTIONS. Some of the highlights were: Laurel whispering into Oliver’s ear the moment before she died; Diggle and Oliver’s phone call; Oliver’s speech about the Black Canary; Felicity’s boyfriend (What?); and Quentin’s mental state in the episode. Everything just made me feel so much for the characters. My heart was melted.

I love the idea of a Felicity/Oliver duo. Felicity, whether they were dating or broken up, would always be Oliver’s partner. She’s the one to keep him in check, which I think is crucial for Arrow and his character. Even after the events of last season’s finale, Oliver still expected the team to come back together again, and he took on the position of Green Arrow with the hope that it would be temporary. It was Felicity who snapped him out of that mindset, forcing him to develop his image as mayor. As an added bonus, it was nice to see their onscreen chemistry throughout the episode.

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I do have to give kudos to the crew members behind the scenes of Arrow. The camera work was exceptional. (Did you see those angles and artistic shots?) The fight choreography knocked everything out of the park, as per usual. I can always count on Arrow for the awesome fight scenes.

That being said, the episode was all sorts of disorganized, which is what happens when the writers try to put too much information into a forty-five minute time slot. It was unclear what actually happened to Curtis after his altercation in the alley. It was too unrealistic that Oliver changed everyone’s view of him as a mayor with only a speech. Who’s the guy in the hockey mask at the beginning of the episode? (Casey Jones?) There was another archer again at the end? (Still reminiscent of season one.) Who was Wild Dog? There has been an ongoing problem of Arrow since season one and it’s that oftentimes the plot is much too rushed, which we saw on full display in “Legacy.” Although I must admit, season five seems to be much more organized than the previous season.

Even though the premiere had some bumps, I’m extremely excited for the season that awaits us. I truly can’t wait to see what happens in the flashbacks in Russia, what happens with the new team Oliver and Felicity have assembled, and the supposed return of Laurel Lance. (Wendy Mericle, executive producer, confirmed that the character of Laurel Lance would return in season five.)

I know many fans are skeptical about Arrow’s fifth season, but keep an open mind. Much like Oliver’s new path, I think season five could be Arrow’s redemption arc.

Arrow airs Wednesdays on The CW at 9pm EST. 

‘Paradiso: Chapter 1’ A Psychological Escape Room Extravaganza

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If you’re a fan of immersive theater, solving puzzles, and getting psychologically messed with, Paradiso: Chapter 1 is an experience you’ll never forget.

Created by Immersive Escape Productions LLC, director/producer Michael Counts (The Walking Dead Experience), and producer Jennifer Worthington, this interactive adventure is not your typical escape the room jaunt. You are immediately immersed in a narrative via texts and told to meet at a karaoke bar where an assistant takes you to a different floor to begin your journey.

What follows next is a trippy experience as you and your companions attempt to solve puzzles and get through a number of rooms inside while being observed by the sinister Virgil Corporation. There are strategically placed actors with whom you may or may not trust and each person you are with is given a specific set of instructions before entering your first location that they can’t disclose to anyone else. The variety of puzzles to decipher is wide with the added pressure of a deadline looming (you have 60 minutes to figure everything out and escape!).

https://youtu.be/WxcY2K2YYRA

What makes Paradiso: Chapter 1 so different from other escape rooms is that most are simply just one room, while this has multiple ones, each unique in it’s set up. From the music to the actors that you stumble upon, your journey becomes part of the narrative as you try to beat the clock and get out.

While my companions and I failed our mission and didn’t make it in time, this was a surreal journey that felt very much like stepping into a movie (housed within an unassuming Midtown building). In the end though, we’re all going to be haunted by that one final puzzle we couldn’t solve.

 

To experience this yourselves, check out: https://www.paradisoescape.com/

#BlackGirlMagic Reigns In ‘Luke Cage’

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Minor spoilers for Marvel’s Luke Cage on Netflix.

There are a lot of complaints to make about the Marvel Cinematic Universe (MCU). For years, the constant erasure, lack of and misrepresentation of minority and female superheroes have been a source of conflict for fans. Rarely is anything done differently that deviates from the already accepted narrative. Thankfully, Netflix has been able to change that. First, with the introduction of Jessica Jones, and now, Luke Cage. While a black male superhero and Harlem as a setting are both firsts, the standout of the Luke Cage series is the amount of #BlackGirlMagic emanating from its characters.

If you don’t know what #BlackGirlMagic is, let me school you: created by Cashawn Thompson and her brand of t-shirts, #BlackGirlMagic is a term used to describe the greatness of black women and how, despite adversities, they continue to push and thrive beyond measure. For the women of Luke Cage, that definition perfectly aligns with their way of life.

Over the course of thirteen episodes, Misty Knight emerges from being a curious detective to the secondary hero of the series. At times, she has more screentime than Luke Cage himself, who remains in hiding during the majority of the second half. One of her first major scenes involves attempting to locate Chico before Cottonmouth gets to him and through playing a game of horse on the basketball court, she uses her skills from her youth to easily surpass the guys who undermine her because she is a girl.

Misty does have sex with Luke Cage early on in the series, but their relationship remains virtually platonic from there on out. Dedicated to her job and herself, Misty is unconcerned with respectability politics or how others view her sexual confidence. She is unable to say if she trusts Cage often and instead the writers let her feelings take a backseat, focusing heavily on her individual conflicts including having to deal with fighting for justice in a corrupt system, coming to terms with her mentor and partner being dirty and remaining in control in out of control situations. Her ability to make mistakes that ultimately determine the outcome of the entire season is a testament to how much weight she holds in the series. She’s not just a love interest or a secondary partner for Cage; she’s her own woman making her own decisions and choosing how to maneuver throughout the disarray of Harlem.

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The complexity of black women is further examined through Mariah Dillard. Although she is considered to be an antagonist, her thirst for power is in an effort to make Harlem much more of the same and less of what it is turning into. Dillard’s feelings and emotions pour out in a way that black women are often not provided the space for during the fight between her and Cottonmouth. By revealing the truth of being abused and taking back her power against those that question and deny the abuse, Dillard shows the amount of strength she carries and how she’s been able to survive against all of the wreckage her family has caused. It’s not shocking that in the end she remains such a central character and a survivor. It takes a lot more than anyone knows to keep her down and it’s a positive to see a Black woman who delights in owning her truth.

Mariah Dillard is also sexy and seems to be the object of affection for Shades. Her assistant bows down to her, realizing how in control of the situation she is, even when she seems uncertain of the future herself. It’s hard to not think that Dillard wasn’t aware of the outcome of the season by the end herself.

The ability for Luke Cage to show such dynamic black female characters may be due to the writers on the team. Two of the writers are indeed black women: Aida Croal and Akela Cooper, who participated in the last two episodes and wrote dialogue for not just Mariah and Misty, but Luke as well. There amazing work is further proof that there must be more diversity behind the scenes, as well as in the cast, to show the richness and inclusion of everyone.

It is my hope that with the next show in the works for Marvel and Netflix, Iron Fist, Misty Knight will continue to be just as vocal and prominent as she is in Luke Cage. Her imperfections, flaws and ability to take responsibility are something we need to see more of on television. Black female superheroes are just as pivotal, and if Luke Cage is any indication of the progress being made, we’re in for some more great brown faces.

All thirteen episodes are available to stream on Netflix. 

‘The Flash’ Review – “Flashpoint”

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*Note: Spoilers for Flashpoint and Season 2 of The Flash*

Season 2 of The Flash ended with Barry running back in time to the night that his mother was killed and this time, he stopped the Reverse Flash before the ending cut too black. Season 3 picks up 3 months following the events of Season 2 where you quickly realize that the world the Flash is in isn’t the same one we’ve grown accustomed to over two seasons.

Flashpoint

the-flash-s3e1-the-allensThe season 3 premiere, “Flashpoint,” shares its name and premise with a famous DC comic book Storyline. In the comic version of Flashpoint, the Flash saves his mother from dying and is returned to a different world where he is powerless. That story lasts for several issues and also crossed over into various other books. When Flashpoint was first announced for the CW show, there was talk that it might actually cross over into the other shows, similar to what was done in the comics, but being as The Flash is the first of the CW DC comic book episodes, time will tell if it’s a singular tale or not.

Early on in the episode, Barry and Iris meet up at CC Jitters. Barry remembers everything about Iris, but she is unaware of who Barry is outside of being an elementary school classmate. Joe is a heavy drinker who skips out on work and has little to do with Iris and Wally. Most importantly in this changed timeline, Henry and Nora Allen are alive and well. While Joe is having a hard time, it does seem like this is a much happier life than the one that Barry has left.

Kid Flash vs The Rival

the-flash-s3e1-flashesOne of the very first scenes finds Barry running after Kid Flash (Wally West), the Flash in this new timeline. Dressed in a mixture of the Red Flash Suit and the Yellow Reverse Flash Suit, Kid Flash looks great. He is facing off against The Rival, yet another speedster, which is incredibly reminiscent of the Flash Vs Reverse Flash from Season One. Barry decides that he needs to help this new Flash, so he decides to get the team back together.

Besides Joe and the Allen parents, the alternate universe finds Barry’s Team Flash friends also changed: Cisco Ramon is a millionaire playboy while Caitlin Snow is a pediatric eye doctor. Through some funny scenes that play on the characters we love, the group decides to work together, and the Flash teams up with Kid Flash to take down The Rival. In the final battle, Wally is mortally injured which is the catalyst for Barry going back in time once again.

Reverse It’s a Wonderful Life

The best beat in the episode is the interaction between the Flash and Eobard Thawne, the Reverse Flash. After stopping Reverse Flash in the Season 2 finale, “Flashpoint” shows the Flash bringing Reverse Flash to an abandoned building and putting him in a cage. Matt Letscher, as Eobard Thawne, steals the show, and if he is going to be a reoccurring character, this season will be better for it.

Timeline changes come at a price and Barry, in his new idyllic world, starts having time migraines which then cause him to forget things. He confronts Thawne who informs him that he is going to lose all of his memories and that when they are all gone time will cement itself and the Flashpoint timeline will be the only timeline. With the mortal injury to Wally and the change in Joe, Barry decides it’s only right to set things back to how they were originally. He bids his parents a final solemn goodbye and lets Thawne kill his mother. Again.

Final Thoughts

the-flash-s3e1-reverse“Flashpoint” was a bittersweet premiere. The episode was packed with great moments like Caitlin thinking she was kidnapped and everyone calling Wally “Kid” Flash. Even better was the chemistry between Eobard and Barry. Each of their interactions in the show was just brilliant. But the episode ends with the Flash basically ending Flashpoint. After one episode, things are mostly back to normal. Given the opportunities for conflict, I could have easily spent two or three or four episodes in this world with these characters. I’m not saying that it hurt the story, but I feel there was much more that could have been explored.

The ending of “Flashpoint” really sets the pace for what is coming in Season 3 of The Flash. After a sweet kiss, Iris tells Barry, “I’ll see you soon.” Only, after the Flash returns to the proper timeline and visits with Joe and Wally, he asks about Iris. Joe gets physically disgusted and storms off, to which Wally replies by saying, “You know Iris isn’t here…they don’t talk Barry, you know that.” Cue music. The tag at the end shows the Reverse Flash woke up to the word “Alchemy” being scratched into a mirror.

And that’s it. The Flash is back. Iris seems to be the “butterfly effect” of Barry’s Flashpoint event, however, I would be willing to bet she won’t’ be the only thing that’s different. “Flashpoint” was a really strong start to what should be a great new season of The Flash.

Quote of the Show:

Barry: “I hate you!”
Reverse Flash: “And I hate you…and I sometimes wonder which of us is right.”

The Flash airs Tuesdays on The CW at 9pm EST. 

‘Empire’ Review – “What Remains Is Bestial”

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Empire

Empire
Season 3, Episode 3: 
“What Remains Is Bestial”
Original Air Date:
Grade: C

I’m convinced that Lee Daniels hates me and is using “Empire” as a form of punishment by continuing this show. I’ve never seen a show quickly go from being brave and innovative to downright tragic, leaving me questioning if “Empire” is torturous more to me or to the characters.

The police brutality story line involving Andre was just what I thought it was, an advantageous move by Tariq, an old friend of Cookie and Lucious Lyon’s half-brother. The attempt seems to be a move to force Andre to testify against his father as if the writers have somehow forgotten that Andre has gone through the death of a child, a wife and now a traumatic experience with the police.

Empire

No, instead the one who is more deserving of screen time and therapy is Jamal, thanks to Freda Gatz and her failed revenge on Lucious for killing her father. Jamal goes to visit Gatz for whatever reason and instead blames her for everything as if his father is not the Devil with a conk.

Meanwhile, Anika is being kept prisoner within the Lyon mansion and forced to endure Lucious and his misogyny as she watches him receive fellatio from her assistant. Lucious continues throwing misogynistic and homophobic epithets at his sons, Cookie and whoever else is willing and ready. Clearly, this season is leading to the downfall of his character but then again, that would be too like right.

“What Remains Is Bestial” continues the onslaught of cameo appearances, this time inviting child rapper turned Instagram thot Romeo and the legendary Mariah Carey into the fold. Romeo is proof that it would take a fictional hip-hopera for him to be considered a rap superstar in 2016 and starts a beef with Hakeem over Tiana. The beef leads to Hakeem recording a diss track that on a scale of Nas’s “Ether” to Lil’ Kim’s “Black Friday” is the Nick Cannon diss to Charlemagne tha God. I’m questioning where Hakeem’s ex-fiancee ran off to and if Hakeem is on Tiana’s radar. But y’know, this is a show about the Lyon men and their matriarch so regardless of what anyone else wants, it’s all about the Lyons first.

Empire

Mariah Carey’s arrival is quick, proof that she’s on here more for Lee Daniels than because she actually enjoys the series. She requests to do a duet with Jamal, which I fast forwarded past because as much as I love Ms. Carey, I have no motivation to hear her sing alongside a goat. Lucious, of course, eats this up to help his Empire X Stream, Empire’s version of Tidal, but dismisses Jamal’s refusal to release his shelved “The Black & White Album,” taking Cookie’s productions off for his benefit.

The real winner of this episode is Boo Boo Kitty. For all its worth, she’s found a way to use being stuck in the house to her advantage. She flips the script on Lucious using the UPS worker to provide cunnilingus on her in the same manner as Lucious did to her. Her purpose for being on this show seems to be more as a foil to him than anything else and proves that sometimes, people can transform from a villain to the one person who may be useful on this damn show.

Oh and Cookie wore really nice tacky outfits as usual.

‘Atlanta’ Review – “Value”

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ATLANTA

Atlanta
Season 1, Episode 6 –
“Value”
Original Air Date: September 4, 2016
Grade: A

Is Donald Glover reading The Workprint? My previous review regarding “Atlanta” focused on my disappointment in regards to there not being a focus on any women within the series, especially considering the multitude of Black women’s faces on television. It made a show that was so heavily hyped and supported feel a bit dated or at least more pedestrian than rap and Black hipsters would admit. Well, look no further because this episode proves that “Atlanta” may just be an unpredictable series after all.

‘Value’ focuses strictly on Earn’s ex-girlfriend/baby mother/”sometimes” roommate, Van, a teacher, that as much as she would like everyone around her to believe has it together, is just as much of a mess as Earn is. Her profession as a teacher seems to be less of a real career and more of a backup for something she’s more passionate about. The episode opens with her spending time with an old frenemy, Jayde, a ritzy Instagram socialite who spends most of her time taking pictures of her travels and bouncing between NBA players. Her braggadocio comes off strong but there’s a clear sense of discouragement that throughout her adventures, she’s alone and without Van, who spends more time cleaning after a baby than out partying. They decide to spend the night smoking marijuana instead of focusing on responsibilities, which always goes well right?

ATLANTA

Unfortunately, Van wakes up and realizes she has to take a drug test. Scrambling to find a way to pass the test, she reaches out to Paperboi, who tells her to use her child’s urine. This idea, while disgusting, is incredibly creative and could’ve worked until Van spills the urine all over the bathroom floor. Realizing she’s pretty much failed, she admits to her supervisor that she would have failed the drug test due to weed use. While her boss is fine with her weed intake, it is illegal to admit to marijuana use to a supervisor. She’s fired.

One of the clear concepts of this series is the idea that women are placed on a higher pedestal and are supposed to recognize their value quicker than men. Jayde has to rush to understand her value despite what talents she may have or skills she may possess because for her, it’s all about standing above and beyond the competition. There’s this fear that if she resigns to being regular and normal or as she puts it without “culture, intelligence, and creativity,” she will just be the girls that she and Van used to make fun of.

ATLANTA

Van herself has to be responsible in a way Earn doesn’t have to be. She can’t choose to have a full night out because everyone is depending on her to be a great mother and a teacher. There’s no sitting on the couch with Paperboi or running towards something that may very well be a pipe dream because she has to take care of her daughter and provide a home for Earn sometimes.

It is clear however that Jayde’s value is tangible and can be traced through the Instagram photos she takes or the places she visits. While there is a disillusionment there, she understands the game and plays it well. For Van, who is not without a job or a dream, she’s left trying to figure out what her value is and where her next dollar will come from. I’m anxious to see what’s next for her and if Earn will step up and provide her with the same protection. I’m just thankful for “Atlanta” focusing on a Black woman and her difficulties with being young but still a mother.

How “Luke Cage” Reignites Harlem

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Luke Cage

For every superhero, it’s always about location. Superman has Metropolis, Daredevil has Hell’s Kitchen and Luke Cage has Harlem. The neighborhood, which stretches from the East River to the Hudson River and E 96th Street to W 115th, is host to a number of historical footnotes in African American and Latino culture. It would be an understatement to say stepping into Harlem is taking a large glance into the rich tapestry of Black history. Luke Cage technically may be the neighborhood’s first superhero but Harlem has been a host to heroes, villains, artists, visionaries, leaders and movers and shakers.

Very few shows have taken place in Harlem, which proves to be to the advantage of the creators of “Luke Cage.” They can illuminate streets and landmarks that have never really been seen on television, as the shows based in Harlem before were on sound stages. One of the only series that “Luke Cage” called to mind from the moment I first witnessed it was 1973’s “Shaft,” a failed small-screen version of the classic blaxploitation film. “Luke Cage” is a call back to the blaxploitation work of the 70’s with a more hip-hop edge, from the use of strong female characters sans misogyny and heavy nudity to the large amount of music that interplays with the storyline, all necessary as the comic book itself debuted in 1972 during the peak of Blaxploitation films.

Luke Cage

Mariah Dillard, one of the main antagonists, devises a plan early on as councilwoman of Harlem to “change” Harlem from the progression of gentrification to a modernized version of the Renaissance. While it is a bit of a failure on the writers’ part due to them not fleshing out Dillard’s plan effectively, it helps show where Harlem is presently due to much of the perspective on Harlem coming from what people knew it as and not what it is currently. Harlem is one of the most important components of New York City and deserves to be preserved as it is, not washed away due to high priced condos and unnecessary businesses.

A lot of the affection shown towards Harlem is thanks to Coker, who understands the exuberance of the neighborhood. There’s the use of Jackie Robinson Park, the references to Mayor David Dinkins and Zora Neale Hurston convey the realism of Harlem and easter eggs such as the cameo from Dapper Dan, a Harlem legend who provided wardrobes for famed rappers like LL Cool J, Run DMC, and Big Daddy Kane. Dapper Dan’s own boutique stood from 1982 to 1992 right on 125th Street, becoming a historic monument for the style and innovation of hip-hop. Being that Dapper Dan slowly faded away due to high fashion stores taking him over, it’s a commitment to the authenticity of Harlem and “Luke Cage” to remind and acknowledge the greatness that is Dapper Dan.

Dapper Dan Luke Cage

Mariah Dillard carries that same commitment, something that disables her from being clearly defined as an antagonist, as she is fighting for the greater good of her city to remain a constant mecca for African American culture. One of Dillard’s struggles deals with having to forge a righteous path but contending with taking on the responsibilities of her matriarch Mama Mabel Stokes. While Stokes was a leader within the fictional “Luke Cage” Harlem, she was also a crime boss. This figurehead is inspired by the famed and very much real Stephanie St. Clair, a Harlem crime boss who also was an activist for the Black community in Harlem. This picture represents the dichotomy of Harlem; some leaders were also criminals. Redd Foxx was also Chicago Red and Stephanie St. Clair, to some was a numbers runner and to others was a voice to those who were silenced.

From the perspective of Coker, I believe that it is his hope that “Luke Cage” will help viewers to see the complexities and beauty of not just what Harlem was but still is. There is still a liveliness to 125th Street that cannot be erased or forgotten or gentrified. Clubs like Corner Social or the Marcus Samuelsson-owned restaurant, Red Rooster stand strong as beacons of the new, but still-Black Harlem. The neighborhood still is the touchstone for Black writers and creatives to run and embrace the culture that was home to those who came before them. Mariah Dillard’s plan within the show to not forget that may just be a response to Coker’s own memories of being in Harlem as a teenager and understanding that while time and locations change, the cornerstone of Black America in New York City doesn’t deserve to fade into yesteryear. “Luke Cage” is not just a reminder but a call to action to not forget and not erase a superhero’s home.

Netflix Drops ‘A Series of Unfortunate Events’ Teaser Trailer

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Netflix has released a teaser trailer to their upcoming new show A Series of Unfortunate Events which is based on a series of books by Lemony Snicket and follows the misadventures of the Baudelaire siblings Violet, Klaus and Sunny after their parents tragically pass away in a fire. They are sent to live with a creepy distant relative, Count Olaf, who only wants them for their inheritance.

While definitely a tease, we see an empty stage with props, sets, and all sorts of knick knacks scattered about with Lemony Snicket himself (played by Patrick Warburton) explaining that the entire crew is currently suffering from low morale. Then we hear an exclamation of, “Joy joy happiness! My fortunes are about to change!” So almost everyone. We can only assume that it is the villainous Count Olaf portrayed by Neil Patrick Harris.

Watch the trailer now:

There are thirteen books in the series starting with The Bad Beginning, which was originally published in 1999. In 2004, Jim Carey starred as Count Olaf in the film version of the first novel along with Emily Browning, Liam Aiken, Catherine O’Hara, and Meryl Streep.

Here’s the official summary:

Based on the internationally best-selling series of books by Lemony Snicket (aka Daniel Handler) and starring Emmy and Tony Award winner Neil Patrick Harris, A Series of Unfortunate Events recounts the tragic tale of the Baudelaire orphans — Violet, Klaus, and Sunny – whose evil guardian Count Olaf will stop at nothing to get his hands on their inheritance. The siblings must outsmart Olaf at every turn, foiling his many devious plans and disguises, in order to discover clues to their parents’ mysterious death. The eight-episode series is a Netflix original production, executive produced by Emmy Award winner Barry Sonnenfeld and Daniel Handler, and premieres January 13, 2017 only on Netflix.

Harlem and The Music of ‘Luke Cage’

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Luke Cage

Among the variety of characters that populate Luke Cage, music, especially hip-hop, stars as its own protagonist, with its lyrics shining a light on the various people who make up the world. Being based in New York City, especially Harlem, means that music is a part of the everlasting spirit of the environment and the creator, Cheo Hodari Coker, makes it his mission to showcase this. The title of each episode is ripped straight from the albums of famed hip-hop group Gang Starr and one of the leaders of the Golden Age of Hip-Hop, A Tribe Called Quest member, Ali Shaheed Muhammad, assists in the foundation of the sound of the series, being enlisted as a music supervisor.

Some of the golden moments within the 13-episode series are segments that focus on various musicians performing at the antagonist, Cottonmouth’s nightclub, Harlem’s Paradise. Being that his passion is music, he recruits various artists to perform, helping to illustrate the importance of Harlem culture and nightlife, outside of the historic foundation of the Harlem Renaissance and jazz. These artists include Raphael Saadiq, Faith Evans, The Delfonics, Charles Bradley, Jidenna and Sharon Jones & The Dap-Kings, all musicians that bridge the gap between the old-school and the new, providing a fresh look at a series reminiscent of New York Undercover. It would be wise for other shows to follow suit and not just leave it to more music-oriented series like Empire to connect audiences with modern day music.

Marvel's Luke Cage

The character of music can also be used as a tactic for defining characters and their motivations. The use of a painting of The Notorious B.I.G. on Cottonmouth’s wall during the first episode provides a sense of intimidation to an antagonist that is later not as menacing as he is first portrayed. For Luke Cage himself, the appearance of Method Man serves as an indication of truth and a recognition of what the Harlem neighborhood status he has as opposed to the media’s critique of him.

“Bulletproof Love,” the Method Man freestyle that is actually pulled from the ‘Luke Cage’ soundtrack, serves as the theme song for the character and a way for the slant to change from Cage being looked as a menace to a trusted hero of the people. Radio is integral to New York City with some of the most popular DJs, such as Funkmaster Flex and Sway (who makes an appearance as the platform for the freestyle), recognized as icons of the city for their connections to the culture and sound. These DJs make hip-hop thrive and push its relevance forward and without acknowledging their importance, Luke Cage would be less than authentic.

That authenticity emanates through Method Man’s lyrics on “Bulletproof Love,” speaking of the realities of Harlem life while also detailing the storyline of the show, connecting the fictional world of Cage with the actual way of life for those who live in Harlem each day. The persecution that Harlemites feel constantly, as members of the Black or Latino community, is identical to the persecution that Luke Cage deals with – constantly on the run, avoiding police officers, being afraid of being looked at as a criminal just because of the color of his skin and how dangerous he is perceived to be. It plays on the same narrative Marvel used for X-Men and how they were united with minorities and the LGBT community due to their commonalities in being ostracized.

Luke Cage

That “bulletproof love” is that constant acknowledgment that throughout the injustice and heavy misrepresentation of Black people, our commitment to loving one another and the undying unity is resilient. No matter if Luke Cage is a superhero or just a common man, he is still loved and accepted by his people. For his community, Cage represents strength in the face of adversity and a response to the senseless murders of young men and women such as Trayvon Martin (note the lack of a classic costume, in favor of the hoodie), Korryn Gains and Deeniquia Dodds.

Harlem, in reality, and fiction, is a classic Black epicenter for freedom and expression within the community and the music serves as just a resource to assert those ideals. One of the strongest reflectors in the series was Cottonmouth’s talents as a pianist and how if given the opportunity, he could have been a totally different person and went to Juilliard. His gateway to freedom and the actual power that he fought for was actually in playing the piano and expressing his fears and vulnerabilities through the music he played. Suppressing that expression led to his progression into darkness. There was a heaviness in the feeling that all of his tactics of intimidation and violence amongst his community was just a fight for power to compensate for what he lost in killing the people that cared most about him.

The details matter and Coker acknowledges this in every scene from the name-dropping of A$AP Rocky and Big L, both strong representations of the hip-hop scene in Harlem, to Mariah Dillard’s (Alfre Woodard) recognition of the importance of residential areas where famous jazz musicians and Harlem Renaissance figureheads lived, showing the livelihood and vitality of the neighborhood.

Coker understands that without hip-hop, there is no Harlem and without Harlem, there is no Luke Cage. Each is in play with one another and is a hero to each other, helping to fight against the systems that work against it.

‘Luke Cage’ & The Need for Black Superheroes

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Luke Cage

There is an intensity in the air when it comes to the arrival of ‘Marvel’s Luke Cage’ on Netflix. This year has been the first year since the inception of original content on the Netflix streaming service that has been focused on providing content to Black Americans. One of my earliest complaints was that while there was a diversity in series such as ‘Orange Is The New Black’ and ‘Frankie & Grace,’ there was yet to be a series that felt like as much of a Black series as ‘Martin’ or ‘New York Undercover’ did in the 90’s on FOX.

Recently, I was asked by a French-speaking Argentinian woman why there had to be spaces for people of different races in America such as a Black magazine or a Black television show. Unfortunately, it was difficult for her to see that stateside, our issues with race have a lot more to do with systematic oppression and a lot less to do and resolve than just us all coming together and working to see each other reflected through one another. There is a large amount of importance in ‘Marvel’s Luke Cage’ and accurate depictions of Black superheroes in general, especially given the failure to do it correctly in previous incarnations.

Take, for instance, Marvel’s X-Men film series, which largely only had one primary Black American superhero of prominence – Ororo ‘Storm’ Munroe. However, unlike within the comic books, Munroe was portrayed by a bi-racial Halle Berry as a character with no real storyline pre-X-Men, except for the fact that she randomly originated from New York, NY.

In the actual foundation of ‘Storm’ and how she came to be, she had a whole life prior to joining the team, the daughter of a princess from Kenya and a photojournalist. Recent films have tried to alter this storyline for more accuracy but still cast women with more European features, erasing the African heritage of one of the most beloved Black superheroes.

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This and the marginalization of other Black superheroes such as Spawn, Bishop or Darwin has left many Black comic book fans with a bit of cynicism in regards to how Luke Cage would be handled. However, after witnessing all 13 episodes of the series, the amount of visibility is historic and captures magnificently the culture and style of not only the Luke Cage comic but today’s modern Blackness. The references and light banter are knowledgeable and connected to the Harlem location. Even cameos from Method Man and the Sway in the Morning crew don’t feel forced but instead authentic to how New York City as a whole would react to the knowledge of a bulletproof Black man.

In 2016, the world is beginning to come to grips with, despite how impenetrable the spirit of Black souls are, the commonality of the deaths of Black men and women has left some of us fearful and others even desensitized. We view the loss of a Black life as the start of a hashtag or a discussion or a call for action. There is no savior and it’s disappointing that it took this timing for the coming of age of Black superheroes to emerge and bless us with their abilities. However, it may help shift the tide.

Luke Cage, Black Panther, Deadshot (Suicide Squad), Misty Knight and Falcon are all examples of new fresh faces we’re seeing in 2016, representing saviors for a community under fire. It’s important to see a figure like Luke Cage who is targeted by the police just as Alfred Olango was a few days before the arrival of the Luke Cage series. It’s also important to see a hero like Misty Knight who is a good police officer but also understands the corruptness of the system and fights for justice. Both Knight and Cage can work together, trust each other and understand each other.

Luke Cage

It is my hope that this isn’t just a trend but becomes something that we can actually become used to, just as we have with the slew of Black television shows and Black actors and actresses currently on television. There are many kids out there who deserve to see the heroes they know and love reflected on television and in films in unique, innovative ways. There cannot just be a regurgitation of the Peter Parker suburban white archetype just because that’s the easiest way to make money.

We needed Luke Cage just as much as the characters in the show needed him. He may not be a real superhero but there is power and influence in knowing that a Black man can be anything he wants to be including someone with superhuman strength. Looking at how Cage walks around with a hoodie, emblazoned not with a standard superhero badge but the holes from bullets that ricochet off him, stands taller than any impenetrable armor can.

Marvel is beginning to see the power in doing things a bit differently and listening to the calls of the fans for once. I, as a Black LGBT comic book nerd, couldn’t be any happier.

The First Teaser Trailer for ‘Pirates of the Caribbean: Dead Men Tell No Tales’ Has Arrived

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Pirates of the Caribbean: Dead Men Tell No Tales

The first teaser trailer for Pirates of the Carribean: Dead Men Tell No Tales has arrived giving us our first look at the ghastly pirate crew that is looking for the infamous Captain Jack Sparrow.

Official synopsis:

The villainous Capt. Salazar (Javier Bardem) pursues Jack Sparrow (Johnny Depp) as he searches for the trident used by Poseidon.

Pirates of the Caribbean: Dead Men Tell No Tales Pirates of the Caribbean: Dead Men Tell No Tales Pirates of the Caribbean: Dead Men Tell No Tales Pirates of the Caribbean: Dead Men Tell No Tales Pirates of the Caribbean: Dead Men Tell No Tales

“Pirates of the Caribbean: Dead Men Tell No Tales” is in theaters May 2017 in 3D, RealD 3D and IMAX 3D!

‘Van Helsing’ Review: Vanessa Bites Back

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VAN HELSING -- "Stay Inside" Episode 103 -- Pictured: Kelly Overton as Vanessa Van Helsing -- (Photo by: Dan Power/Helsing S1 Productions/Syfy)

Spoilers through Season 1, Episode 3 of Van Helsing

 

This week on Van Helsing, Vanessa and Axel take a trip outside and we get more glimpses into the early days of the Rising.

All is still tense within the hospital as some of its current inhabitants want to give Vanessa over to the vampires. While I get that they are freaked out by what they don’t understand, they shouldn’t be this freaked out by her. She reverted Flesh (the vamp from last week) back into a human again after all. The poor dude is being treated like crap of course since they aren’t really sure what’s going on with him either. Still, they can’t just outright kill him since he’s technically one of them again.

At one point a group of vampires outside try to rouse the group via John’s wife whom they’ve taken captive. The poor woman is tied to a tree outside and is being tortured, which sends her husband over the edge and he takes Vanessa at gunpoint yelling to the vamps that he wants to trade. This was pretty stupid because 1) she was volunteering to go anyways and 2) because they would probably kill his wife all the same. Axel steps in though and shoots John’s wife in the head because he thought it was the merciful thing to do. The other man goes nuts and they get into a scuffle that leads to the windmill breaking. This is not good because it had been powering the whole hospital, including the UV lights, which were keeping the vampires away. Axel calculates that they only have 3 hours left of energy before it all goes off.

He then decides to venture outside to look for spare parts to see if he can get the generator working again. Not confident in her other companions, Vanessa chooses to go with Axel who asks her to promise that she’s not going to just take off the first chance she gets. Somewhat reluctantly, she agrees and they precariously make their way to the basement of the hospital. After a near encounter with some vampires, they head to the shipyard where Axel says that he has to look for the spare part in the lower part of the ship that’s submerged in water. He hands Vanessa his assault rifle, ties a rope around himself, gives her the other side and tells her to pull hard when it’s time to go when vampires show up.

As Axel disappears into the water, the once comatose woman looks around nervously because she knows the creatures are gonna be up in her face sooner or later. And of course a less than five minutes later one shows up and she tries to shoot them while still holding onto the rope in the other hand. But then a second one appears and Vanessa is tugging on that rope as hard as she can because she needs the marine to hurry up or they may both get killed. Thankfully he does and they each take a vampire. The one Vanessa was handling ends up biting her and he reverts back to being human again but the gunshot wounds end up killing him because he wasn’t able to heal quickly enough. For a split second is then considers taking off to find Dylan but Axel tells her to face reality that there is no way her kid could have survived this. In his mind no matter what he goes where she goes because that’s his mission. You gotta hand it to him for sticking to his guns but also I think in the chaos of this changed world, Axel clings to his marine duties as a way to cope. It gives him a sense of purpose when everything has gone to hell. She begrudgingly agrees and decides to go back with him.

Van Helsing - Season 1

As they near the hospital that’s currently under attack by another group of vamps, Flesh unexpectedly comes outside and they seem to recognize him. He talks to their leader that he had been made human again and that she’ll (Vanessa) will do the same to them unless they get out of here. To prove it, he cuts himself and shows that he bleeds. This seems to freak the vampires out because Flesh asks them if they want to feel again after all the blood that they’ve drank. His words apparently are enough to cause them to flee.

Once the duo is back inside the building (though Vanessa takes the body of John’s wife inside beforehand), Vanessa asks Flesh why he did that and if he wanted to die. The man tells her that he had killed his own daughter and ripped out his young son’s heart in front of his wife then left her unturned amidst the remnant of their children. Earlier we learned that he had been bitten by Julius (one of Dmitri’s goons) soon after the volcanic explosion. Flesh likely feels utter hatred with himself for the things he did as a vampire, but explains to Vanessa that all the human emotions are numbed when you are one of them. He further says that he wants to die but in his own terms to somehow make up for what he did to his family.

Axel soon has the generator up and running again and after he goes to ask Vanessa if she could try and revert the Doc back to being human again. She is hesitant of course because she doesn’t understand what’s going on with her blood but we’ve already seen three vampires she’s brought back to their mortal selves. Eventually she agrees and goes into the cage and offers her wrist to the vampire. In a surprising turn of events, the Doc refuses to bite her and I wonder if its some predatory sense of self-preservation that knows that she will be changed if she takes Vanessa’s blood. The vampire pushes the other woman against the wall and in an animalistic moment, Vanessa bites the Doc’s neck herself. Amazingly, the physician survives and becomes her old self again to the relief of everyone, especially Axel and Vanessa. Earlier, one of the survivors accuses Vanessa of being one of them and this moment does make you question what she really is.

At this point we know that Van Helsing heals just as fast as the vampires do and her blood has the ability to change any individual back to their human selves. Vampirism seems like a disease of sort that has mutates their hosts differently. Some have no longer any eyes and have become more bestial looking with no humanity left in them while others like Dmitri and Rebecca appear to look fully human still albeit their very pale skin tone and fully maintain their cognitive abilities. Vanessa biting a vampire is enough to revert them as well making it possible that whatever catalyst is in her blood may also be in her saliva.

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This episode also showed us the moment before the Rising from the perspective of vampire Julius who is now able to walk outside in daylight because of the ash clouds that blocked the sun’s direct rays. He is inside a room that resembles a crack den and has humans who seem totally drugged out while he uses a syringe like a straw to suck blood from them. Once the ash begins to fall from the sky, he realizes that he can go outside and no longer has to hide. Sensing that the time was now, he begins to feed openly and vampires begin to multiply (and he sires Flesh). We see Julius later when the vampire group (who attacked the hospital) report to him that Flesh has become human again. He tells them to send word to Dmitri about this.

It’s Flesh’s storyline that was the most intriguing this week having been at the wrong place at the wrong time when he was first turned and then to kill his own children in front of his wife. We don’t know if Mrs. Flesh survived but now that he’s human again he has to wrestle with the emotional consequences of his actions. Naturally the folks inside the hospital don’t trust him because we don’t really know if the reversion is permanent or will he turn vampire again at some point?

I also really enjoyed seeing the growing relationship between Vanessa and Axel. It seems like he’s winning her over as a person she can trust, since he has been guarding her for the last three years. For the moment at least she realizes that she’s got a better chance of surviving and finding her daughter if she sticks with him. Though, I’m not really rooting for them to become a thing, I kind of prefer Axel and the Doc.

Overall Van Helsing continues to be intriguing as we learn more about the Rising, Vanessa’s mysterious abilities, and the backgrounds of the other survivors. I also hope we find out what happened to the rest of the country, whether the government has fallen, and if the vampires have taken over everything. If so, all hail President Dmitri?

 

Van Helsing airs Fridays 10/9 Central on Syfy.

‘Pitch’ and the potential for platonic relationships on TV

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pitch
CR: Tommy Garcia / FOX. © 2016 FOX Broadcasting Co.

Spoilers though Pitch season 1, episode 2: “The Interim.”

If you’re looking for reviews, be sure to check out Alyssa’s pieces on Pitch.

Two episodes into its rookie season and Pitch is so much more than just a Fox sports opera. It’s refreshing to see a show like Pitch take a young, budding black actress in Kylie Bunbury and put her at the helm, all without relying on overdone racial stereotypes. Not only is Bunbury’s Ginny a strong woman faced with a heavy burden, but she is surrounded by relationships new and old which serve to create the bulk of her drama. It is in these ships that we can see the start of something so rarely seen on television: the platonic relationship between male and female leads.

Since we’re only two episodes into the season, this article may also serve as a “could have been” depending on how the rest of the episodes play out, but for now, I have hope that Pitch can stay the course.

Platonic relationships between men and women are so rare on mainstream television that it’s hard to name a popular show that did them well: Friends is hilarious with how incestuous it became by the final season, love triangles have run amok since the dawn of the CW network even spawning the dreaded Olicity ship on Arrow, and Homeland stupidly ignored my plea when it came to Carrie/Quinn. Romantic involvement for the sake of tension does not make a good show and for the love of all things, Pitch has plenty of material to avoid stooping to such levels.

Thankfully, after two episodes, Ginny doesn’t even seem remotely interested in romance. In fact, most of her drama stems from grappling with her newfound feminist responsibility in a traditionally male world. Even in her flashbacks, Ginny doesn’t reminisce about an old flame, but instead about the (sometimes borderline abusive) relationship with her late father as well as the (absent?) relationship with her ex-agent brother. Ginny doesn’t have time to fall in love, nor does it seem like she wants to. At dinner after her first major league win, her teammates asked if she had ever dated another ball player and she emphatically put them down.

While I’m not saying that Ginny won’t ever find romance, in a world surrounded by men there needs to be boundaries. There are men she simply cannot date, lest the show lose credibility in my eyes; we, as viewers, need more shows that allow men and women to work with one another without–GASP–them falling in love. Pitch can do just that by avoiding romance with two of the show’s male leads.

Lawson

Most shows with successful male/female platonic relationships have played heavily with the mentor/mentee role. Parks and Recreation and 30 Rock are two of the more popular examples of such a relationship, but that doesn’t make them any less effective. Despite the age difference, had Liz Lemon and Jack Donaghy eventually hooked up it pitch ginny and lawsonwould have destroyed the heart of the show, but viewers still expected the romance because it’s so remarkably common.

On Pitch, the same could be argued with Ginny and Mike Lawson, the catcher and captain of the San Diego Padres. There’s an age gap between the two of over ten years, but that’s never stopped shows before. However, Lawson is a season veteran whose experience is integral in helping Ginny navigate the MLB landscape. By throwing romance into the mix, you run of the risk of Ginny losing a valuable resource, permanently, and it’s clear that for, at least a time, she needs his guidance. Lawson is the one who, in episode two, inspired Ginny to move forward when she struggled with her responsibilities; he’s the one who tells her how important her role is on and off the team, thereby spurning her into giving an amazing speech on Kimmel.

Lawson: “You’re bigger than the game right now, rookie. Nothin’ you can do to change that, so at least use it for good.”

There are definitely some red flags when it comes to Lawson. His wife is now in the “ex” category, so he’s available. But Lawson, though represented as a bit of a ladies man, doesn’t seem to look at Ginny the way you’d expect from someone who is interested in being romantically involved. He’s a captain, first and foremost, and nothing would damage his team more than if its pitcher and catcher fell in love. (Heh. Heh.) Let’s keep it that way. On top of that, there’s the potential relationship brewing between Lawson and Amelia at the end of “The Interim.” 

Blip

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If anything bad happens to these babies, I riot.

I refuse to believe that there was ever any kind of romance between Blip and Ginny. Blip and Evelyn are too adorable to ever think wrong of them. Not to mention the fact that Ginny and Evelyn have a solid relationship rooted in trust and honesty. Would a past relationship stir the pot? Of course, but it’s also at a point where it’s beyond expected. Pitch doesn’t need to give in to the expected, otherwise it’ll veer into soap opera territory and Pitch deserves better than that. 

Blip is the friend Ginny needs when the going gets tough. Where Lawson offers unflinching honesty, Blip has a kindness to him, an understanding, that Ginny needs when doubt begins to rear its ugly head. Since we have yet to see Ginny’s brother in the present time, Blip acts as that protective big brother. Of course, Ginny doesn’t exactly need a big brother, but it’s nice for her to have a familiar face on the team as well as a confidant she can trust. And maybe it’s just me, but I also think it’s nice for Blip to have her around as well. I’m definitely eager for more conversations like this: 

Blip: “You know as much as I love livin’ off of Ramen noodles, the wife had other plans.”
Ginny: “I bet she did.”
Blip: “She spends everything, Ginny.”

While Lawson and Blip would be the biggest no-no’s for a romance, I think any fling with any of Ginny’s teammates would be detrimental. Ginny has said it a dozen times over the course of two episodes: she is a ball player. Please, Fox, tell her story without sacrificing her healthy platonic relationships.

Pitch airs Thursdays on Fox at 9pm EST.